Opening Event
Friday 25 November 2022
6:00pm – 8:00pm

An exhibition of new landscape paintings in oil, by Stephen Mallick.

Stephen Mallick. Landscape 5 (detail). Oil on Canvas. 80 x 60 cm.
Stephen Mallick. Landscape 3 (detail). Oil on Canvas. 70 x 50cm.
Stephen Mallick. Landscape 2 (detail). Oil on Canvas. 80 x 60 cm.

Have you ever carried home some treasure found in the bush or by the sea? A shell, a rock, a feather. Displaying it in your home with as much pleasure as any expensive antique or artwork. In Far South Fossicking, artist Henrietta Manning conveys the joy in those finds and the pleasure she finds in reusing and repurposing items, whether from the natural world or the castoffs of others.

“My art practice predominately consists of painting from life in acrylics. As a Contemporary Realist I explore themes and ideas that comment and focus attention on attitudes and choices made on how we live today. Increasingly I have been incorporating mixed media into my work, either as a component of the work or as an installation piece in an exhibition. 

Far South Fossicking builds upon past work such as the Eastern Foreshores Series, time capsules recorded through the coastal detritus of the Sydney coastline. The title was inspired by a fossicking box [a collection of excavated objects from old home sites in a tin box] loaned to me during a residency in the historic gold mining town of Walhalla. Gathering / fossicking found objects, both natural and manmade, from the area in which I live, the resulting work is a variety of small paintings and handmade objects. Plant material, shells, fossils, rocks, seaweed, bones, feathers have been combined with discarded manmade objects or incorporated into the monoprint process. The small paintings depict the natural ephemeral items that anyone can collect and enjoy if they look around them.

Rejecting the throw away culture of western consumerism, the Lightbox has become my own fossicking box. I hope you enjoy the collection and get as much pleasure as I have from the materials that nature provides.”
Henrietta Manning

Work by Henrietta Manning.
All works by Henrietta Manning.
All works by Henrietta Manning.

Henrietta Manning will also have an installation at Off Centre (Ground Floor, Salamanca Arts Centre) from Friday 4 – Thursday 17 November 2022.

Installations in the Lightbox and at Off Centre of work made from, and inspired by, found objects from the Far South of lutruwita /Tasmania.


Studio Waterloo in the Huon Valley.

Open Studio

Visit the beautiful Huon Valley and Henrietta Manning’s Studio throughout November 2022:
Saturday 12 & Sunday 13 November 2022, 10:00am – 4:00pm
Saturday 19 & Sunday 20 November 2022, 10:00am – 4:00pm
Saturday 26 & Sunday 27 November 2022, 10:00am – 4:00pm

Studio Waterloo (57 Glocks Road, Waterloo) is in a historic apple packing shed with stunning views down the Huon River to Sleeping Beauty and Mount Wellington. See the artist’s creative space, what she is currently working on and examples from prior series. Fossick in the storage rack to find something you might like to take home!  


Henrietta Manning in her Studio. Studio Waterloo in the Huon Valley

Henrietta Manning

Henrietta Manning is an established artist exhibiting since 1984 and currently living in Tasmania. A Contemporary Realist a recurrent theme in her work is the passage of time and how we live with and build upon the past. A recipient of an Australia Council Visual Arts/Craft Board ‘New Work Established Grant’ and finalist in Australian art awards such as The Wynne, Portia Geach, Waverly, Alice, Fishers Ghost, Eutick, Waterhouse and The Summer Exhibition in England. 



Opening Event
Friday 11 November 2022
6:00pm – 8:00pm

An exhibition of small sculptural works in wood by Taiwanese/Tasmanian artist Chi Ling Tabart.

We are all sentient beings. We talk about our feelings and express those complex emotions in language and in art. There are various eddies in our life we deal constantly with. Some are bigger and some are smaller caused by psychological and environmental stressors.

Eddies are rolling us and pushing us around and creating a state of unhappiness. Sometimes we get stuck, or capsized by the turbulence, but other times we learn to cope and recover emotionally with days, months or years.

A wooden carving of a figure sitting on a chair. One leg of the chair is tied in a knot.
Chi Ling Tabart . Inner Eddies. Wood sculpture. 90 x 190 x 90mm. Photo by Peter Whyte Photography.
An intricate wooden carving of a mouse, lying on it's back. It's tail is tied in knots.
Chi Ling Tabart . Fall. Wood sculpture. 140 x 90 x 110mm. Photo by Peter Whyte Photography.

Discovering Ability showcases the participants’ experiences, stories, and incredible creative abilities.

Discovering Ability is the second annual exhibition by OnTrack Tasmania NDIS participants. Its purpose is to highlight these artists’ who, despite the challenges and constraints, have a remarkable ability to use art to express their thoughts, feelings and life experiences.

Throughout the year the OnTrack Tasmania Making Tracks program offers a variety of classes and activities where participants learn new skills and work on art pieces. OnTrack Tasmania is proud to present the result of the talent and hard work from our participants’ and to showcase their creative abilities. The Discovering Ability exhibition makes use of the artistic talents of OnTrack Tasmania’s participants and staff to give each client the chance to express and share their experiences, stories, and exceptional skills. The exhibition aims to help artists recognise the value of their art and provide them an opportunity to sell at their pieces.

Artwork by Ontrack participant.
Ontrack participant with Art Program Leader.
Ontrack participant.

Opening Event
Friday 14 October 2022
6:00pm – 8:00pm

A study of identity through portraiture and still life, by Zoe Lovell.

“Portraits give us a glimpse into who a sitter is through their physical appearance. We are able to understand aspects of who they are through their facial expressions, body language and personal style. However, there’s always more to someone than what’s presented on the surface.

This body of work was born out of a frustration of being overlooked based on my outward appearance and the way I present myself. We each have our own unique experience with this sense of dismissal, regardless of how we appear on the outside and it saddens me to know that through some eyes, we’re only worth as much as our looks. 

I have created a series of portraits of myself and my friends, showcasing not only the way we look, but aspects of our lives that shape our identities, whether that’s through our lived in spaces or objects of importance to us. My aim during this process has been to capture aspects of ourselves that we value most and want to be recognised for. We each have our own set of ambitions, skills and personality traits that define who we are and eclipse the significance of our outward appearances. 

Whilst I have created portraits, which typically only give us a sense of personality through expression, body language and looks, these paintings aim to be a quiet celebration of individuality through the everyday and act as windows into the lives and identities of the subjects.”
– Zoe Lovell

Self portrait of the artist, staring straight ahead. The artists holds four paintbrushes in their hand, which is also splattered by paint. The artists is wearing a grey vest with short white sleeves.
Zoe Lovell. Self Portrait of the Artist as a Young Woman. Oil on canvas. 40cm x 50cm
An open book, with two sketches of hands, lying on a heap os crumpled white sheets. In the corners of the painting there are fragments of striped fabric.
Zoe Lovell. Sunday Morning with Rodin. Oil on canvas. 40cm x 50cm
A woman with dark hair wearing a white top, turns away towards the wall. In her hair there is a light blue ribbon.
Zoe Lovell. Successful women don’t wear ribbons in their hair. Oil on canvas. 40cm x 50cm

Earth and Land presents lutruwita/Tasmania’s natural beauty, captured within the clay of Angela Reiher’s sculptural forms and Caitlin Love’s canvas.

Opening Event
Friday 30 September 2022
5:30pm – 7:30pm
Top Gallery, Salamanca Arts Centre

Emerging artists Angela Reiher and Caitlin Love met in 2020 after taking ceramics classes together. They soon realised their shared ambition to produce a body of work to exhibit. Angela and Caitlin’s interest in the natural landscape and obsession with the Tasmanian wilderness was the subject of many conversations which lead the pair to recognise the many ways their works speak to each other. Angela collects wild clay from different locations in lutruwita/Tasmania, to use within her work. Caitlin represents the natural environment in her paintings, including some of locations where Angela has sourced her clay from. Their work embodies the landscape in more ways than one.

Angela and Caitlin have nurtured a strong friendship over the last couple of years, consistently supporting and encouraging one another to follow their motivations as artists. Together, the pair launched their work for Earth and Land with a trip to Tasmania’s wild and captivating West Coast, early in 2022. This is the first time that Angela and Caitlin have exhibited their work.

Caitlin Love. South Cape Rivulet. Acrylic on Canvas. 38 x 82cm
Angela Reiher. Untitled (2022). Clay. Photographer: Sid Scott

Angela Reiher

Angela Reiher is an artist based in nipaluna/Hobart. Angela was born in Warragul, Victoria and moved to lutruwita/Tasmania in 2018. She came on a holiday to Tasmania in 2017 and fell in love with the amazing and diverse landscape as she travelled around the state. She has recently retired from a life of teaching to release her dreams and passion for the arts.

Angela has a deep-rooted connection with the natural world and her works reflect this. Angela’s work is inspired by what she sees around her, or literally includes elements from the environment. In her ceramic work, she uses items such as rocks for tools in shaping, trimming, carving and finishing work. Angela uses shells, rocks and leaves and other found items as inspiration and to emulate colours in glazes and in the finishing effects. Her handbuilding reflects the organic shapes in the environment and incorporates aspects of natural elements such as wild clay.

Angela loves connecting to the earth by collecting and hand processing clay found in the wild. Everything is done by hand until the final firing stage, including collecting the clay, picking up or digging out the clay with a small handheld shovel or shell. Clay is broken down and squished by hand, from large lumps into a smooth mix. Angela then pushes it through a sieve and dries it out to a usable degree, wedges it and makes it ready to use. Angela uses wild clays as finishing effects on ceramic pieces that she has either handbuilt or wheel-thrown. Angela likes her artwork to ‘create itself’. She begins with an idea but has learnt to have no boundaries. She likes the work to take on its own form and, in a way, to create itself.


Caitlin Love

Caitlin Love was born in Ngunnawal country/Canberra and she studied Art History and Curatorship at The Australian National University. She moved to lutruwita/Tasmania in 2015 and based herself in nipaluna/Hobart to further her study at the School of Creative Arts, completing her master’s degree.  Caitlin currently works as an art teacher.

Painting has been a lifelong passion of Caitlin’s. In this exhibition, Caitlin captures the essence and life of Tasmania’s diverse and pristine wilderness through her exploration of the colours and vistas that have captivated her during hiking and camping trips. These paintings reflect her personal connection to Tasmanian landscapes and the profound nourishment she receives from being in nature. There is a welcoming sense of solitude and peace that can be found in Tasmania’s unique landscape, which offers Caitlin both a sense of belonging and a feeling of remoteness.

This installation by Elizabeth Barsham, Betty Nolan and Rebecca Watson features ceramic and sculptural creatures, and is a preview of the upcoming exhibition FLOCK at Nolan Art throughout October 2022.

A abstract ceramic horse, glazed in organge with light blue stripes. Included next to the sculpture are design drawings of the construction of the horse.
Betty Nolan. Trojan Horse
A green creature suspended from a thin cord. The creature is made from found objects, including garbage ags and rubber gloves and has tufts of red sprouting from it's back.
Elizabeth Barsham. Sadie the Sanitising Saurian.
Two ceramic donkey's heads. The head on the left has curly hair on it's head and ears twisted to the side. Whilst the other donkey's ears are blowing in the wind.
Rebecca Watson. Asses

A Hunter Island Press Pop-Up Print Sale and Exhibition.
Postcards and artwork sales will raise funds for the Ukraine Crisis Appeal.

Hunter Island Press (HIP) provides a place for artists to create work and pass on their skills to the community.

HIP members have produced images for postcards to raise funds for the Ukraine Crisis Appeal.

Artists represented include: Maggie Aird, Anastasiia Ananieva, Sally Beech, Rowena Bond, Alicja Boyd, Carolyn Canty, Rebecca Coote, Tina Curtis, Cath de Little, Jeanie Edwards, Ailsa Ferguson, Abbey J Green, Janice Luckman, Pat Martin, Rob McKenna, Anna Mykhalchuk, Linda Pollard, Julie Race, Sarah Robert-Tissot and Amalea Smolcic.

HIP thanks Monotone Art Printers for sponsoring postcard printing. 

Tina Curtis. Gloaming (detail)
Sally Beech. Blue Dove (2022). Collagraph.
Cath de Little. Flight.

An exhibition by Landscape Photographer Samuel Allen

“My homeland of Tasmania is a natural setting for landscape photography. The untouched temperate rain-forests, world heritage areas and coastal scenery is simply breathtaking. A plethora of famous walking tracks, well-formed and sometimes not well known within the island, lead to locations perfect for capturing images that I try to showcase with my photography.”
Samuel Allen

Other-Worldly is a collection of oil paintings centered around the idea that home in its truest sense exists outside our walls in the great outdoors.

In Other-Worldly, Britt Fazey plays with the definition of home and connection to the natural world.  Could the practice of nurturing our connection with the natural world help us to re frame the overwhelming distractions of modern life? Could it help free us and make us more effective participants in our own lives?

Opening Event : **Event has reached Capacity**
Wednesday 7 September 2022
5:30pm – 7:30pm
Free to attend, subject to capacity.
The opening event for Other-Worldly is sponsored by Spotty Dog Brewers


A photograph of woman with blond hair standing on the foreshore. In the background are trees with twiated branches.
Photo: supplied by the artist

Britt Fazey

After travelling as far west as Shark Bay and as far north as Cook Town, Britt Fazey now resides in her hometown in Tasmania. Having spent her childhood on the waters of the Derwent river and its lower estuaries Britt again takes to the water to explore, reconnect and define home.