International touring swamp-blues-rocker 8 Ball Aitken is bringing his party gig to Hobart on Friday July 14 at The Founders Room supported by mystical soul rocker Jessy Lynch.


Photo: image supplied by the artist

8 Ball Aitken

8 Ball Aitken has toured the world for more than a decade performing his swampy-blues-rock across twenty countries to date. He’s earned a loyal fanbase from his live shows and internet videos, while paying his dues as a singer, songwriter, slide-guitarist, and producer.  
8 Ball won second place in the 2021 International New Orleans Cigar Box Guitar Festival hosted by blues woman Samantha Fish. His album release ‘ICE CREAM MAN’ hit #1 on the Australian Blues & Roots Charts in March 2021.
8 Ball moved to Nashville, Tennessee, USA in 2012 and worked for nine years with many of the best in the blues business today.



Photo: image supplied by the artist

Jessy Lynch

Jessy Lynch is a mystical-rocker with a strong soulful voice. Originally from Cairns, she now calls the Sunshine Coast home. Over the past five years, Jessy has played at festivals such as Palm Creek Folk Festival, Coalescence, River Sessions, Rootbound, EcoFiesta, and the Tablelands Folk Festival. She launched her debut album and single ‘AFTERGLOW’ in 2020 to sold-out audiences. The album received radio airplay across Australia. Jessy is currently working on a second album


Come to the Founders Room for The internationally acclaimed Adam Hall and the Velvet Playboys first time live in Tasmania!


The Velvet Playboys Orchestra featuring Adam Hall is an institution of the Australian vintage music scene and renowned for its captivating live performances.

The band’s repertoire is rooted in the Jazz and Rhythm & Blues music of the 40’s and 50’s, from artists such as Ray Charles, Frank Sinatra, Louis Prima, Sammy Davis Junior, Harry Connick Junior, Jackie Wilson, Chuck Berry and The Blues Brothers. They also include a large library of Adam Hall originals and unique arrangements, which can be found on their four albums.

With support from Konrad Park’s Big Small Band this promises to be a night to have you dancing in the aisles!


Artists

A group of white men in suits sit in a bar. One of them holds a trumpet.
Photo: Doris Brunet

Adam Hall & The Velvet Playboys

I can add to the list the outstanding showmanship of Australian jazz heroes, Adam Hall & the Velvet Playboys – Australian stage

In 2005 he formed a classic Rhythm & Blues band, Adam Hall & The Velvet Playboys. The band is an institution of the Australian vintage music scene.

Alongside Adam (Vocals, Trumpet) it features some of Australia’s finest musicians, including: 

Mark Turner | Guitar
Anthony Dodos | Trombone
Bronton Ainsworth | Drums
Kane Shaw | Double Bass
Tim Voutas | Keys


Konrad Park’s Big Small Band


This event is presented by Salamanca Arts Centre

This concert program comprises songs, drawing on the enduring literary idea of love in an age of nobility and chivalry. Courtly love was an experience of erotic desire and spiritual attainment combined. It was “a love at once illicit and morally elevating, passionate and disciplined, humiliating and exalting, human and transcendent”. 

Sequenza’s program will include songs of courtly love from the baroque by Couperin, Dowland, Caccini and more.

Sequenza
Quin Thomson | voice
David Malone | lute
Brett Rutherford | viola da gamba
Matt Goddard | percussion 

Together, their passion for making great music, their fascination for ancient instruments and historically informed performance practice, and their drive to innovate, have brought them together to form Sequenza. From its first concert in 2015 Sequenza has showcased the extraordinary repertoire of the Baroque and earlier musical periods, right back to the Middle Ages and fostered the creative development of extraordinary new compositions. 


This concert program was originally to be part of Eclectica Salamanca: a Festival of Music from other Times, other Places, which was supported by the City of Hobart through its Cultural Grants Program and by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Proudly presented by Salamanca Arts Centre.

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Proudly presented by Salamanca Arts Centre.

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Stand up for peace with this fundraiser for Ukrainians displaced by the Russian invasion. 

Join Les Nointers, featuring Lucien Simon and Cameron Healy from seminal 90s Tasmanian misfit stagger rock outfit DUST, flamenco metal queen Katherine Diaz Robayo and drum slinger Marcos Genaris. They are joined on stage by the Interiors, who’ve risen from the ashes of All Fires the Fire, to create a new brand of dark splendour. Closing the night will be our very own Russian defector Comrade Xero spinning her collection of banned communist electronica. Special guests for the evening will be Koko Flow and her band of yogis and yogini’s who will open the night with a chant for peace.

Throughout the night will be projected  a range of video art from Black Paul, Troy Melville and Lucien Simon.

All funds raised will be donated to UNICEF’s support for Ukrainian families and children.

https://www.unicef.org/emergencies/war-ukraine-pose-immediate-threat-children



  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Lineage: Traditions 

[performance]

This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

Experience sounds and movements that are steeped in tradition – a world stage in nipaluna (Hobart).
Curated by Sharifah Emalia Al-Gadrie

Thursday 18 August 2022
6pm – 7.30pm


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


Photo: Karen Brown

​​Ehsan Zabihi and Sina Tarkesh Esfahani – Classical Iranian Music

This performance of Iranian classical music will be presented in two parts. The music will be improvised throughout. There will be sensory perceptions of the musicians in the performance of some pieces. Intertwined with the music the poems of great Persian poets such as Rumi, Khayyam and Hafez will be showcased.


Photo: supplied by the artist

Ipshita Pratap – Classical Indian Music

Ipshita hails from the picturesque northeastern state of Assam, India. She specialises in Indian classical music which is uniquely known for its emphasis on improvisation and intricate microtones. Because of its contemplative and spiritual nature, Indian classical music is usually a solitary pursuit that focuses on melodic development that gives texture, sensuality and a sense of purpose to the melody. Music has always been a sanctuary for Ipshita.


Photo: supplied by the artist

Levanya De Zoysa

The spectacle and intricate costuming of the most prominent form of traditional Sri Lankan dance, Kandyan, is extraordinary – Levanya’s powerful footwork and gestures bring the richness of Kandyan dance to Hobart stages.

Levanya De Zoysa has been dancing for almost her whole life and has been focussing on traditional forms of Sri Lankan dance for the past 10 years. She is a third year bachelor student at UTAS and takes great pleasure in sharing her culture with new people.


This event is part of the ARCHIVE 2022 program and is presented by Salamanca Arts Centre and Edge Radio

A monthly showcase of Tasmanian contemporary music.

Genre Electronic


Tapir
Tapir are a pair of herbivorous ungulates who steer a course between summoning up mirage-like soundscapes from some hidden world, and pitching headlong into the deepest of grooves. You are welcome to dance something we can play to.


Stormworm & La Sauvage
Stormworm and Sauvage is the collaborative experimental electronic music project of lutruwita/Tasmania based visual artist/musician/performers David Fooks (Stormworm) and Edith Perrenot (Sauvage) Stormworm utilises synthesizers, samplers, and drum machines to produce an amalgamation of spliced vowels with experimental and progressive synth passages. Bouncing between light and dark, fast and slow, experimental and ambient. Sauvage brings the living, breathing human core to the collaboration. Adding her haunting vocal melodies and French spoken word passages reverberating over the electronic pulses


IAE
IAE is the solo, purge project of Elliott (The Huskees, The Trash Vultures). Lyrics, guitar and synth subject to variation, depending on the level of shyness. 


Baltimore Charlot
The Saddest cowgirl in RnB


The Curators

A Couple sit on a lounge. She wears a red street and sunglasses and has long dark hair. He wears a cap, sunglasses and a long ginger beard.
Photo: supplied by the artist

Mum and Dad

MUM and a DAD are from Moonah. They tell it like it is while making you shake your rump.


Supported by Live Music Australia – an Australian Government initiative

Proudly presented by Salamanca Arts Centre.

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Post punk Tasmanian three-piece band, Liquid Nails have been a thing since 2019. Subtract two years of global pandemic and you could say, along with the glacial pace of offshore pressing and shipping, they have, in a timely fashion, banged out their debut LP!

The 12 inch, 45rpm self-titled album (in true punk tradition) delivers 10 blistering tracks that authentically replicates the band’s explosive and energetic live performances at pubs and clubs in their hometown of nipaluna (Hobart).

Liquid Nails are celebrating the release of this debut at the Founders Room, Salamanca Arts Centre, on Cubbyhouse Records (100 available).


Threats
Cruiser-charged fast hardcore. World record holders for most notes in a 36 second song. Unmissable on many levels.

Rabbit
Melodic nipaluna power pop and it’s absolute finest. They have one stellar 7-inch out and a debut album on the way.

Nice House (Debut Show)
With the median house price in Hobart at an all time encouragingly affordable $995,000, Nice House are here to ask and answer one question: Can rock and roll save this city?


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.