Proudly presented by Salamanca Arts Centre.

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Proudly presented by Salamanca Arts Centre.

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Stand up for peace with this fundraiser for Ukrainians displaced by the Russian invasion. 

Join Les Nointers, featuring Lucien Simon and Cameron Healy from seminal 90s Tasmanian misfit stagger rock outfit DUST, flamenco metal queen Katherine Diaz Robayo and drum slinger Marcos Genaris. They are joined on stage by the Interiors, who’ve risen from the ashes of All Fires the Fire, to create a new brand of dark splendour. Closing the night will be our very own Russian defector Comrade Xero spinning her collection of banned communist electronica. Special guests for the evening will be Koko Flow and her band of yogis and yogini’s who will open the night with a chant for peace.

Throughout the night will be projected  a range of video art from Black Paul, Troy Melville and Lucien Simon.

All funds raised will be donated to UNICEF’s support for Ukrainian families and children.

https://www.unicef.org/emergencies/war-ukraine-pose-immediate-threat-children



  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Lineage: Traditions 

[performance]

This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

Experience sounds and movements that are steeped in tradition – a world stage in nipaluna (Hobart).
Curated by Sharifah Emalia Al-Gadrie

Thursday 18 August 2022
6pm – 7.30pm


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


Photo: Karen Brown

​​Ehsan Zabihi and Sina Tarkesh Esfahani – Classical Iranian Music

This performance of Iranian classical music will be presented in two parts. The music will be improvised throughout. There will be sensory perceptions of the musicians in the performance of some pieces. Intertwined with the music the poems of great Persian poets such as Rumi, Khayyam and Hafez will be showcased.


Photo: supplied by the artist

Ipshita Pratap – Classical Indian Music

Ipshita hails from the picturesque northeastern state of Assam, India. She specialises in Indian classical music which is uniquely known for its emphasis on improvisation and intricate microtones. Because of its contemplative and spiritual nature, Indian classical music is usually a solitary pursuit that focuses on melodic development that gives texture, sensuality and a sense of purpose to the melody. Music has always been a sanctuary for Ipshita.


Photo: supplied by the artist

Levanya De Zoysa

The spectacle and intricate costuming of the most prominent form of traditional Sri Lankan dance, Kandyan, is extraordinary – Levanya’s powerful footwork and gestures bring the richness of Kandyan dance to Hobart stages.

Levanya De Zoysa has been dancing for almost her whole life and has been focussing on traditional forms of Sri Lankan dance for the past 10 years. She is a third year bachelor student at UTAS and takes great pleasure in sharing her culture with new people.


This event is part of the ARCHIVE 2022 program and is presented by Salamanca Arts Centre and Edge Radio

A monthly showcase of Tasmanian contemporary music.

Genre Electronic


Tapir
Tapir are a pair of herbivorous ungulates who steer a course between summoning up mirage-like soundscapes from some hidden world, and pitching headlong into the deepest of grooves. You are welcome to dance something we can play to.


Stormworm & La Sauvage
Stormworm and Sauvage is the collaborative experimental electronic music project of lutruwita/Tasmania based visual artist/musician/performers David Fooks (Stormworm) and Edith Perrenot (Sauvage) Stormworm utilises synthesizers, samplers, and drum machines to produce an amalgamation of spliced vowels with experimental and progressive synth passages. Bouncing between light and dark, fast and slow, experimental and ambient. Sauvage brings the living, breathing human core to the collaboration. Adding her haunting vocal melodies and French spoken word passages reverberating over the electronic pulses


IAE
IAE is the solo, purge project of Elliott (The Huskees, The Trash Vultures). Lyrics, guitar and synth subject to variation, depending on the level of shyness. 


Baltimore Charlot
The Saddest cowgirl in RnB


The Curators

A Couple sit on a lounge. She wears a red street and sunglasses and has long dark hair. He wears a cap, sunglasses and a long ginger beard.
Photo: supplied by the artist

Mum and Dad

MUM and a DAD are from Moonah. They tell it like it is while making you shake your rump.


Supported by Live Music Australia – an Australian Government initiative

Proudly presented by Salamanca Arts Centre.

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Post punk Tasmanian three-piece band, Liquid Nails have been a thing since 2019. Subtract two years of global pandemic and you could say, along with the glacial pace of offshore pressing and shipping, they have, in a timely fashion, banged out their debut LP!

The 12 inch, 45rpm self-titled album (in true punk tradition) delivers 10 blistering tracks that authentically replicates the band’s explosive and energetic live performances at pubs and clubs in their hometown of nipaluna (Hobart).

Liquid Nails are celebrating the release of this debut at the Founders Room, Salamanca Arts Centre, on Cubbyhouse Records (100 available).


Threats
Cruiser-charged fast hardcore. World record holders for most notes in a 36 second song. Unmissable on many levels.

Rabbit
Melodic nipaluna power pop and it’s absolute finest. They have one stellar 7-inch out and a debut album on the way.

Nice House (Debut Show)
With the median house price in Hobart at an all time encouragingly affordable $995,000, Nice House are here to ask and answer one question: Can rock and roll save this city?


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Friends, it’s been 3 years since Slag Queens released new music. They’ve been sitting on a new album called ‘Favours’ for a while now and it’s time you started to hear it.

Slag Queens are dropping a new track called ‘Dogs’ with a film clip shot by Jo Shrimpton (Flare Productions). To celebrate (and to wish Amber all the best on her 3 month stint in Naarm/Melbourne) Slag Queens will be playing at The Founders Room, Salamanca Arts Centre with good friends 𝔈ℭ𝔅 and Free Live Sports.


Slag Queens
Originally inspired by DIY no wave music and the feminist politics of Riot Grrl, Slag Queens learnt how to be a band by doing it. They like to write songs collaboratively and are wild for noisey, grainy sounds and sad-beautiful guitars. Their songs express the frustration of life under late capitalism and are a consciousness raising effort to get you mentally strong for the revolution (however that comes). 

𝔈ℭ𝔅
𝔈ℭ𝔅. is a hyperpop and dance music collective centralised under the aegis of a single YouTube account. By absorbing the plasticity of venues, fans, codecs and sound systems 𝔈ℭ𝔅 envisions new material for the club. As a collective, 𝔈ℭ𝔅, has been awarded performance opportunities in Norway, Portugal, Germany and the US and is highly regarded in underground communities across the globe. Server based in Nipaluna

Free Live Sports
Tasmanian-via-mainland three-piece Free Lives Sports started out as an excuse to mess around and try new things.
The result is a band constantly playing on the edge of its ability; pushing to make music that is catchier, hookier, darker, more difficult. Free Live Sports never let sounding a bit shit get in the way of a good tune, comparisons to bands like Dead Moon, Captain Beefheart and Guided by Voices are warranted, though their love of a pub-rock karaoke classic keeps it from getting all too experimental.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.


The Randall Muir Trio offers you some home cookin’, a celebration of the music associated with all that is soulful, from home-cooked chitlins to hard bop, blues and jazz.

The instrumentation of these jazz sub-genres often included Hammond organ, which was considered a less sophisticated jazz instrument, but one deeply connected with gospel and the blues. Guitar and drums are the perfect compliment to the Hammond, and Tenor Saxophone completes the sound.
Great groups with this instrumentation include Jack McDuff’s quartets and Jimmy Smith’s collaborations with Kenny Burrell and Stanley Turrentine.

Playing the repertoire of these groups and others will be Alistair Dobson on Tenor Saxophone, Aaron Entresz on Guitar, Tom Robb on drumkit and Randall Muir on Hammond organ.

Tickets $25 each or four tickets for $80


Jazzamanca is presented by Salamanca Arts Centre, and supported by the Commonwealth Government’s Office of the Arts via the Live Music Fund.

  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

Witness the power of fusion with two of Hobart’s up and coming rappers blending language, culture and classic hip hop beats to tell stories in a new way.

​​RC40
RC40 is Tasmania’s first Hindi rapper. Drawing on his personal stories and challenges in life, RC40 collaborates with local artists producers in Hobart and in June 2022 his song “I.M BORN” became the first Hindi rap song releaser by Tasmanian Hip Hop Collective. 

Adonay Tsegezeab (marra dona)
Blending his mother tongue, Tigrinya, and English, Adonay makes powerful music that maps his journey to lutruwita (Tasmania) from Eritrea, through Ethiopia and lifts people up with strong messages.


Curated by Sharifah Emalia Al-Gadrie

Friday 19 August 2022
6pm – 7pm


Photo: supplied by the artist

Raj Chopra (RC40)

RC40 – Hindi Rapper based in Hobart is involved in music since 2020. The name RC40 is initials derived from his full name Raj Chopra. His rap is inspired by his own stories and challenges in life. Raj writes his own songs and composes them after finding local producers. Few months back Raj collaborated with another local rapper Zeke to release the first Hindi-English collab song in the history of Tasmania – “Guilty”.


Photo: supplied by the artist

Adonay Tsegezeab (marra dona) 
Blending his mother tongue, Tigrinya, and English, Adonay makes powerful music that maps his journey to lutruwita (Tasmania) from Eritrea, through Ethiopia and lifts people up with strong messages.