This event is part of the ARCHIVE 2022 program and is presented by Salamanca Arts Centre and Edge Radio

A monthly showcase of Tasmanian contemporary music.

Genre Electronic


Tapir
Tapir are a pair of herbivorous ungulates who steer a course between summoning up mirage-like soundscapes from some hidden world, and pitching headlong into the deepest of grooves. You are welcome to dance something we can play to.


Stormworm & La Sauvage
Stormworm and Sauvage is the collaborative experimental electronic music project of lutruwita/Tasmania based visual artist/musician/performers David Fooks (Stormworm) and Edith Perrenot (Sauvage) Stormworm utilises synthesizers, samplers, and drum machines to produce an amalgamation of spliced vowels with experimental and progressive synth passages. Bouncing between light and dark, fast and slow, experimental and ambient. Sauvage brings the living, breathing human core to the collaboration. Adding her haunting vocal melodies and French spoken word passages reverberating over the electronic pulses


IAE
IAE is the solo, purge project of Elliott (The Huskees, The Trash Vultures). Lyrics, guitar and synth subject to variation, depending on the level of shyness. 


Baltimore Charlot
The Saddest cowgirl in RnB


The Curators

A Couple sit on a lounge. She wears a red street and sunglasses and has long dark hair. He wears a cap, sunglasses and a long ginger beard.
Photo: supplied by the artist

Mum and Dad

MUM and a DAD are from Moonah. They tell it like it is while making you shake your rump.


Supported by Live Music Australia – an Australian Government initiative

This event is part of the ARCHIVE 2022 program and is presented by Salamanca Arts Centre and Edge Radio

Genre Experimental

Archive is a monthly showcase of Tasmanian contemporary music. Each month will feature a different genre and be curated by a Tasmanian musician or artist who excels in that particular genre. Archive is a collaboration between Salamanca Arts Centre and Edge Radio. Edge Radio will record each gig, broadcasting five live and broadcasting all the gigs on the Sunday night following each gig.
Septembers Archive curated by Jacky Collyer features:

Julius Schwing
Good Game
Peter Knight
Hayato Simpson
Tom Robb


The Curator

A white woman with shoulder length brown hair stands in front of a white background. She wears a black blazer and is wearing red lipstick.
Photo: Amy Brown

Jacqueline Collyer

Jacqueline Collyer is a musician, composer and producer based in Hobart. She has recently begun a PhD in Music Technology at the University of Tasmania. Collyer was a founding member of Melbourne band KINS and has toured extensively throughout Australia, the UK and Europe.

In 2020, Collyer won a Tasmanian Theatre Award in Sound Design for her work in The Tasmanian Theatre Company’s production of ‘Gruesome Playground Injuries’. Collyer has also delved into the realm of film scoring, composing for short films including ‘AQUA’ (2021), ‘A Hairy Problem’ (2019), ‘The Snake Lady’ (2019) and ‘In Search of Family’ (2019), both as a part of the 10 Days on the Island Festival, and Chris Pender’s ‘Ruthless’ (2016). Collyer has also composed for sound installation, most recently creating a work for the Cardinia Art Society’s ‘New Beginnings’ exhibition in February 2021.

Collyer recently worked as the assistant sound designer to Glenn Richards for Archipelago Production’s ‘The Bleeding Tree’ (2020) and as a composer for the theatrical production of Samuel Beckett’s ‘Happy Days’ (2021), which was featured as a part of the Mona Foma Festival. 2021 was an exciting year for Collyer, who composed for ‘Mental: The Motherload’, a production that opened as a part of the Junction Arts Festival that year. Collyer has also recently released a new single entitled ‘Sky Diver’ under the solo moniker ‘Q.E.’, a project which combines the pop and experimental genres. In the future, Collyer hopes to continue honing her skills in composition and sound design through ambitious new projects, continuing her research in spatial music composition and giving back to the music community through teaching.


Supported by Live Music Australia – an Australian Government initiative

This event is part of the ARCHIVE 2022 program and is presented by Salamanca Arts Centre and Edge Radio

Rough Skies Records, Edge Radio 99.3FM and Salamanca Arts Centre present October Archive, a showcase of Tasmanian contemporary music featuring:

Transcription Of Organ Music
Chloe Alison Escott
Dolphin
JT & The Mean Thoughts

Friday 28 October
The Founders Room
Salamanca Arts Centre
Enter via Wooby’s Lane, or for lift access enter through The Courtyard

$20 


This event takes place on the stolen lands of the muwinina people. We pay our respect to the Tasmanian Aboriginal Community – pakana and palawa people – who are the Custodians of the Land. Sovereignty was never ceded.


The Curators

A man and woman stand in a grassy backyard. The woman has one of her legs off the ground. The main has his hands on his hips. They are looking towards the camera.
Photo: Lucinda Shannon

Rough Skies Records

Rough Skies Records is an independent artist-run record label based in nipaluna/Hobart and is dedicated to releasing music from the region. The label’s debut ‘Community – a compilation of Hobart music’, was curated by Rough Skies’ founder Julian Teakle and released on CD and digitally via Bandcamp, in the summer of 2009. Teakle has since curated another 3 Community Compilations, all of which have served as snapshots of the local music scene and were dubbed ‘open love letters to Hobart Music’ by Vice journalist, Jennifer Park.

Over ten years and 30 releases, Rough Skies has steadily built a niche profile in Australian independent music, recognised for documenting unique underground bands from lutruwita/Tasmania. The label operates as a collaboration between two friends, Teakle and Claire Johnston, who joined in early 2018. Teakle and Johnston are currently working on several exciting new releases for the label in 2022 alongside their day jobs and individual music projects.

www.roughskiesrecords.bandcamp.com


About Archive

Archive is a monthly showcase of Tasmanian contemporary music. Each month will feature a different genre and be curated by a Tasmanian musician or artist who excels in that particular genre. Archive is a collaboration between Salamanca Arts Centre and Edge Radio. Edge Radio will record each gig, broadcasting five live and broadcasting all the gigs on the Sunday night following each gig.


Supported by Live Music Australia – an Australian Government initiative

This event is part of the ARCHIVE 2022 program and Winter Light 2022 and is presented by Salamanca Arts Centre and Edge Radio.

Thursday 11 August
5pm – 9pm
Salamanca Square

Genre World Music

5pm | Lanterns unveiled in Salamanca Arts Centre in The Courtyard
5.40pm | Svetlana Bunic
6pm | Kattleya
6.30pm | Salsita Kids – Pies Descalzos (Bare Feet) 
6.45pm | MMT
7.15pm | Rhythmz Bollywood
7.30pm | Miettes
8.00pm | Son Del Sur
8.45pm | Bon Odori performance
9pm | Opening Night After Party in Founders Room – a free event with DJs L$F and Ari Eva!


Celebrate the opening of Winter Light with sounds of warmth and light from around the world. Local performers will welcome the coming end of winter with brightness – high energy Latin American beats, East African dancehall, Gallic tunes and a host of other influences will ring in the change of season.

Photo: Yumemi Hiraki

Obon lanterns – see the installation of lanterns created in the lead up to Winter Light by community members and facilitated by Yumemi Hiraki, mirroring the practice of Japanese obon festival to commemorate and honour ancestors.

Obon dance – gather beneath the lanterns to learn the Obon dance, practiced throughout Japan as part of the Obon Festival, with Yumemi Hiraki and Eri Mulloolly-Hill Konishi.

Rhythmz Bollywood – get ready for high energy classic Bollywood dance from nipaluna (Hobart) bollywood dance institution, Rhythmz Bollywood. Workshop participants have the opportunity to perform during opening night event. (workshop dates to come)

Photo: image supplied by artists

MMT – Madi Mega Talent Hita Man and Rasta Jay of South Sudan. These energetic MC’s rip up the stage with their brand of Badman style East African Dancehall.

Photo: image supplied by artists

Miettes – A contemporary and performative journey into the musical history of France. This unique trio explore their Gallic roots and present a show full of striking sounds and sights, leaving you begging for more than just the crumbs!

Photo: image supplied by artists

Svetlana Bunic – Accordionista Svetlana Bunic presents a well-travelled cinematic repertoire of Frech musette, Argentinian tango, continental movie themes, retro melodies, gypsy grooves, smoking jazz, Latin and cabaret show tunes.

Photo: image supplied by artists

Son Del Sur – Son del Sur is an exciting 10 piece Latin-Jazz and Salsa band. Son del Sur (meaning “they are from the South”) has performed at many of Tasmania’s premier music events and has wowed audiences with their impressive sound.

Photo: image supplied by artists

Kattleya – Kattleya are an acoustic duo from Colombia featuring Latin American music with distinctive upbeat, tropical sounds and uplifting melodies. 

Photo: image supplied by the artists

Salsita Kids – Salsitas is an intergenerational dance group with ancestral roots transmitting folklore stories. Salsitas explores traditions which are then performed by modern Latin Americans with a mission to rediscover their unique histories, through Latino rhythms and traditional dance.


The Curator

Photo: supplied by the artist

Sharifah Emalia Al-Gadrie

Sharifah Emalia Al-Gadrie is a multidisciplinary artist, curator and community development worker based in nipaluna/Hobart, lutruwita/Tasmania.

Her creative practice is responsive and explores belonging and cultural heritage in contemporary Australia, drawing on lived experience as an Asian-Australian woman. Representation, connection and community building are central themes which ground her curatorial practice.


This event is part of the ARCHIVE 2022 program and is presented by Salamanca Arts Centre and Edge Radio

A monthly showcase of Tasmanian contemporary music

Pop music encompasses many disparate styles but their commonality is that they are ephemeral and accessible. Pop musicians are constantly adopting avant garde explorations in music and making these challenging and exciting ideas accessible to broad audiences.

Tasmania has a rich community of alternative pop artists who traverse the line of the avant garde and the popular, creating powerfully relevant and moving music for local audiences. I’ve curated an all women line up to join me in celebrating the diversity of pop music in Tasmania.

FFLORA ( ℎ ) epitomise the ephemeral quality of pop in their improvised sets that are guaranteed to sweep you onto the dance floor.

Drawing inspiration from ‘crying in the club’ ballad mavens like Lykke Li and Robyn, PARKER smashes out soaring vocals with subdued minor-key dance groove and dancehall-inspired beats.

Formally known for her prowess in the Tokyo Punk troupe from FARO 2021, エミエミ (pronounced Emi Emi) takes a Tasmanian spin on the J-pop genre with her sweet sassy sound.

Live Visuals by Grace Huie Robbins (founder of MOOD: A Queer Party in Launceston)


Photo: Isabella Connelly

PARKER

Tash Parker (PARKER)  is a multidisciplinary artist and musician born in Western Australia and raised on a tropical fruit farm in the North East Kimberley, now based in Launceston Tasmania.  Her music is a powerhouse of retro-futurist electronica that soars with glossy synths and commanding vocals.

Her artistic practice is centred around reactionary works in collaboration with musicians, visual artists and technology artists to curate multi-sensory experiences:

“I write about what is real and happening whether that be about my own relationships and experience in my body or an imagined reality of a space travelling future ancestor.” –PARKER


Photo: Bella Waru

FFLORA (FLUID FEMME LUMINARIES OFFERING RHAPSODIC ASCENSION)
A place of musical exploration and expression, FFLORA presents a journey into group improvisation. The ever-evolving ensemble take inspiration from jazz, folk, free improv, sick beats, collisions of sounds, failures, glory, poetry and synergy. Each time the group performs together it is truly unique. Be prepared to experience uplifting, unsteady, un-conforming utters of unreal music.


Photo: Jacob Collings

エミエミ (emi emi)

エミエミ (emi emi) is the experimental J-pop project from 24-year-old Emi Doi. Born and raised in lutruwita to her Launcestonian mum and Japanese dad, エミエミ represents a new venture for Emi, combining her existing indie-music flavour with uptempo neo-kawaii-pop, drawing on inspiration from the likes of Kero Kero Bonito, CHAI, Kyary Pyamu Pyamu and Superorganism. 楽しんでください (≧▽≦)


The Curator

Photo: Ursula Woods

Tash Parker

Tash Parker is a multidisciplinary artist and musician based in Launceston Tasmania. Her music released under the name PARKER is ‘a ‘a powerhouse of retro futurist electronica that absolutely soars with its glossy synths and commanding vocals.’ Her artistic practice is centred around collaboration with musicians, visual artists and technology artists to curate multi-sensory experiences for her audience. She holds a degree in Fine Arts majoring in Sonic and Spatial Practice and made the Vice Chancellor’s list at RMIT in 2016. In 2019 Tash had her first multi-media exhibition ‘You, Me & that Other Thing’ at Sawtooth Gallery in collaboration with Melbourne based drawer and sculptor Jo Lane. Her music videos have since gone on to win awards for best music video at New York Film Awards, Los Angeles Film Awards, Top Shorts and the Melbourne Short Film Festival and Clipped Music Video Festival in Sydney. In 2020 Tash received the Tasmanian Women’s Art Prize Emerging Artist award for her debut music video Can’t Keep Waiting. Tash’s songs have been added to rotation on ABC’s Double J radio station (Superhuman by PARKER) and reached number one on the AMRAP regional charts (Flames by Runaway Belles). Her last single and music video Lie Low, ‘a brave, cathartic, and above all, mystifyingly – beautiful song.’  released March 8th 2021 for International Women’s Day was premiered on Rolling Stone Australia. In 2021 Tash received an Arts Tasmania grant to present a series of music video exhibitions and performances in the second half of 2022. These exhibitions and performances will be; in Devonport at the RANT Gallery in July, in Hobart at Longhouse Gallery partnering the Winter Light Festival in August, and in Launceston partnering with Sawtooth Gallery and Junction Festival in September.


Supported by Live Music Australia – an Australian Government initiative

This event is part of the ARCHIVE 2022 program and is presented by Salamanca Arts Centre and Edge Radio

Archive is a monthly showcase of Tasmanian contemporary music. Each month features a different genre curated by a Tasmanian musician or artist who excels in that particular genre. Archive is a collaboration between Salamanca Arts Centre and Edge Radio. Edge Radio are recording each gig, broadcasting five live and broadcasting all the gigs on the Sunday night following each gig.


The Sleepyheads have spent the last 6 years immersed in the Tassie music scene. Originally starting as the solo acoustic project of Pat Broxton, the band quickly picked up a strong local following with their fun, heart-on-sleeve style of indie-punk.
They’ve done multiple interstate tours and festivals off the back of their second EP, “Be More Optimistic?”, which also saw them score a feature artist slot on Triple J.
The band has spent the last two and half years crafting their debut album, and will use this special night at the Founders Room to share some brand-new material.


Photo: image supplied by the artists

208L Containers
We sell paintings to Lars Ulrich and are rock band.


Photo: Will Moon

Rabbit
RABBIT is a rock and roll band with a lot of rhythmic crunch and sharp guitar hooks and they play fast. Ventolin inhaler recommended.


Photo: Graham Meresith

The Trash Vultures

The Trash Vultures are a Death Western Outlaw band, writing songs about the Wild West, cowboy decapitation, mutilation by grizzly bears and other day to day adventures. Formed in Hobart in 2019 for the Arts Hall Little Bands festival, popular demand saw the band continue on to be a permanent act. They released their debut album “Talking Trash and other songs and stories” and the single “Stupid Town” has been receiving good national airplay through the CBAA network and support from EDGE Radio Hobart


The Curator

Photo: Luke Henery

EWAH

EWAH is based in Hobart, Tasmania and is the moniker for Emma Waters, who has appeared under various guises over the years. Her current projects are dreamy electro post-punk outfit EWAH DUO and EWAH & The Vision of Paradise, whose sound is often cited as cinematic, merging post-punk and new wave.

EWAH & The Vision of Paradise’ debut release, Everything Fades to Blue captured attention nationally and internationally and was longlisted for the Australian Music Prize (The AMP) in 2017.

EWAH & The Vision of Paradise have played at festivals including Mona Foma, Party in the Paddock, A Festival Called Panama, Dark Mofo, BIGSOUND and Junction Arts Festival.

In 2017, they won the National Live Music Awards for Best Live Act Tasmania and were nominated again in 2019.


Supported by Live Music Australia – an Australian Government initiative

This event is part of the ARCHIVE 2022 program and is presented by Salamanca Arts Centre and Edge Radio

Salamanca Arts Centre & Edge Radio present April Archive.
A gig recorded live in the Founders Room and broadcast on Edge Radio.

This month will be curated by The Sleepyheads, you can expect a night of expressive alt-rock and great storytelling.


The Sleepyheads have spent the last 6 years immersed in the Tassie music scene. Originally starting as the solo acoustic project of Pat Broxton, the band quickly picked up a strong local following with their fun, heart-on-sleeve style of indie-punk.
They’ve done multiple interstate tours and festivals off the back of their second EP, “Be More Optimistic?”, which also saw them score a feature artist slot on Triple J.
The band has spent the last two and half years crafting their debut album, and will use this special night at the Founders Room to share some brand-new material.


Photo: David Beckett

Lincoln Le Fevre
Linc is possibly one of the best songwriters to ever come out of Tassie. With three incredible LPs under his belt, he’s finally coming back home to play one of his much-adored solo sets. It’s been a while between drinks, and we can’t wait.


Photo: Aiesha Hanson

Meres
Meres is the brainchild of Mary Shannon, a very familiar face in the Tasmanian music scene. They’ve really sculpted a signature sound for themselves over the last couple of years, pairing beautifully written melodies with fuzzed out, alt-rock guitars. Meres has also been working on some new material, so we’re hoping to get a taste of that on the night!


Photo: Aiesha Hanson

Den.
Denni Sulzberger has spent the last few years honing her craft as a songwriter. She has an incredible ear for the perfect vocal melody to match her lyrics. Denni will have her trio behind her on the night, and we can’t wait to hear her amazing songs brought to life in a full band setting.


The Curators

Photo: Luke Henery

The Sleepyheads

Since forming in Launceston in 2016, The Sleepyheads have turned heads all over the country with their honest approach to heart-on-sleeve punk and indie rock. It’s that buzz-worthy style that earned The Sleepyheads a coveted Triple J Unearthed Feature Artist slot, leading to a milestone performance at Triple J’s One Night Stand in St Helens.

The band have since gone on to appear at some of Australia’s most-loved festivals, including Falls Festival, Party In the Paddock, Til The Wheels Fall Off and Woolly Mammoth. Their charismatic and engaging live shows have seen The Sleepyheads sell out multiple headline gigs, and tour nationally three times. With more new music to come and their charming brand of indie rock at the ready, The Sleepyheads are equipped to continue captivating audiences, new and old, every step of the way.

Supported by Live Music Australia – an Australian Government initiative

This event is part of the ARCHIVE 2022 program and is presented by Salamanca Arts Centre and Edge Radio

Salamanca Arts Centre & Edge Radio present March ARCHIVE.
A gig recorded live in the Founders Room and broadcast on Edge Radio.

ARCHIVE Is a monthly showcase of Tasmanian contemporary/popular music, each month will feature a different genre and curator who will program the nights events.

Curator of this month’s Archive showcase is Swaz Benjamin.


As an artist Swaz takes command of storytelling, party-starting, and poetics through his dexterous lyricism and evocative imagery. Drawing equal influence from a a variety of roots and electronic music, as much as he does from all forms of hip-hop and spoken word, Swaz Benjamin’s fluid vocals and fresh musical backdrops deliver light hearted odes to enjoying life, harder hitting thought provoking pieces, and motivating messages. Joined by his band “The Benjamins” his live sound is given a rawer, transcendent, rockier feel, elevating the energy of their performance. Swaz has shared stages with some of the country’s finest artists including ARIA Award Winners such as Drapht, Thundamentals, Mallrat and Adrian Eagle, and international artists such as Akil (Jurassic 5), Buck 65 (Canada) and Lotek (UK). He’s performed at numerous fundraisers for social and humanitarian causes, and played Falls, Nayri Niara and Vibrance Festivals.


Joining “Swaz & The Benjamins” on the night are:

SteezE DreamR

Combining their lyrical forces once again, the formidable duo of MightE DreamR and SteezE. Meeting one another through local improv band CM3 three years ago, where young SteezE bugged the band unmercifully to let him have a go on the mic, the pair have been seen freestyling, cyphering and sharing stages together from Marrawah to Moonah ever since.

Their sound and style would best be described as conscious, funky, and outrospective, with a pinch of anti-capitalism.

Accompanying the duo for the night will be Ivan Megirian on keys, Chris McGuinniess-Terry on drums and Alex O’Leary on bass. The band will be playing completely blind to create an authentic improv experience, so expect the unexpected. Also you may want to bring an umbrella because these two are a couple of slick spitters!


Pseudo Lucid

In their own words:

We are Pseudo Lucid so shut up.
There are two of us. That’s almost TWICE as many as if there was one of us. We travel the universe, melting minds with our irreverent raps and adorably quaint delusions of grandeur.

With Lachy piloting the BAR-TARDIS and Paul karate chopping faces off mumble-rapping aliens, we really feel like we’re having a positive impact on this scum-muffin planet.


Photo: Matt Osborne

An intrepid traveller hailing from lutruwita (Tasmania), Swaz Benjamin’s storytelling, party-starting and poetics have seen him perform with artists such as DraphtThundamentalsMallratHorrorshowAdrian EaglePezB WiseMaundzAkil (Jurassic 5), Buck 65, Omar Musa, Luka Lesson and Zac Henderson.

On his first full-length release ‘Souled Out Volume One:Daze Gone Bye‘ mixtape. Swaz worked closely with producer Hugh Lake (Jessica Mauboy, Stan Walker, Split Enz) curating the sounds Hugh would work with to create the instrumentals for the album. APRA AMCOS award nominee IAMMXO (of Diafrix Sony Australia) also mentored and oversaw much of the project. In particular, Chasm‘s remix of the title track, and lead single ‘Days‘ helped garner radio play and press across Australia & the UK. In 2018 UK Hip hop royalty Skinnyman was supported by Swaz, playing his first show in London. While in the UK, he talked through each song on the mixtape on Terra Slim‘s ‘The Shout‘ on ImInRadio.


Supported by Live Music Australia – an Australian Government initiative

This event is part of the ARCHIVE 2022 program and is presented by Salamanca Arts Centre and Edge Radio

Genre
Underground/Outsider

Salamanca Arts Centre & Edge Radio present February ARCHIVE.
A gig recorded live in the Founders Room and broadcast on Edge Radio.

February ARCHIVE will be curated by Folk ‘Til Ya Punk Records, a label which is a collective of Australian folk-punk bands, and driven by Hobart’s own The Dead Maggies.

FTYP Records also present the annual debaucherous 4-day folk-punk gig-crawl called HOBOFOPO, that has drawn some of the biggest folk-punk acts in the world to Tasmania.


You can expect the night to start with folk music, finish with punk music, and explore some intense moments of rogue folk in between.

8.45-9.15pm
RYAN GARTH AND BAE HARRISON-DAY will be performing intimate, stripped-back renditions of the Ragged Hollow repertoire on fiddle and guitar. Showcasing Ryan’s cynical, cerebral songwriting.

9.30-10.00pm
ZAC HENDERSON is a much loved and applauded Tasmanian based singer/songwriter described as a storyteller with influences from folk & blues.”Aussie folk that just feels like home. Full of warmth, character and cleverly worded anecdotes that force you to be slow and really sink in.” – Like Velvet Music

10.15-10.45pm
THE DOMINIC FRANCIS GRIEF ENSEMBLE are much like the Tasmanian landscape, the ensemble is wild, rugged and scarred by the impact of suburban influences. Yet to be sanctioned as the only boy band to boast a bones player, this is Rogue Folk at it’s darned finest – brutal, impolite and highly danceable.

11.00-11.30pm
FISTFUL OF FISCAL are a newish band, featuring 3/5th of The Dead Maggies, and playing hardcore punk (with a violin). The music is; short, fast, loud, fun, political, satirical, and financial. Influences include Minor Threat, Dead Kennedys, Idles, The Dirty Three and NowyourefuckeD.


The Curators

Folk Til Ya Punk Records is a collective of artists from around Australia spearheaded by Hobart’s own The Dead Maggies. They’ve put out 17 releases to national airplay and international acclaim. They also put on events such as the annual HOBOFOPO Festival. FTYP Records will be curating an evening spanning from folk to punk, and whatever fits in between!

Supported by Live Music Australia – an Australian Government initiative

This event is part of the ARCHIVE 2022 program and is presented by Salamanca Arts Centre and Edge Radio
Supported by Live Music Australia – an Australian Government initiative

A stellar lineup featuring some of Tasmania’s most charismatic and talented songwriters and performers come together for the first in the Archive 2022 series: monthly concerts to a live audience that’ll also be broadcast for radio—tune in live on Edge Radio 99.3FM or stream it on edgeradio.org.au.

SOLD OUT | Saturday 29 January, 9pm (+ Ben Salter + Kat Edwards)
SOLD OUT | Sunday 30 January, 4pm (+ Denni + Magnus)

Curated by Glenn Richards
Produced by Lucien Simon, Aeron Clark and Keith Deverell

Presented by Salamanca Arts Centre, Edge Radio in association with Mona Foma


The Curator

Photo: supplied by the artists

Glenn Richards

Glenn Richards is a multi award winning songwriter, composer, engineer and producer who has toured the world and continues to record with his band Augie March and for his own solo material. He has released eight acclaimed albums, including a platinum and two gold, and has scored, engineered and mixed three feature films, an ABC television series, a recent play for the Theatre Royal Hobart, and many shorts and webisodes. He works out of his studio, Dark Satanic Mill Studio, Hobart, Tasmania.

Supported by Live Music Australia – an Australian Government initiative