Exhibition Dates :
Tuesday 29 October – Monday 2 December 2024

**Installation viewable 24/7

In contrast to a fast world demanding instant gratification, the Series Home Grown by Henrietta Manning celebrates the joy of planting, harvesting and eating the produce of your own hands. Paintings inspired by the artist’s garden. Slow down and immerse yourself in the soil and the changing seasons, it’s good for the soul.

For the series Home Grown the artist is sharing her connection and pleasure derived from the just over one-acre block of land surrounding her home in Tasmania’s Huon Valley. Originally sparsely planted, and still a work in progress, it has been a steep learning curve, landscaping, and developing two working vegetable bunkers. Produce taken into the house, whether edible or as floral decoration, has been painted from life as intimate works combined with the trappings of home life or with glimpses through windows to the garden outside.

A garden is an extension of you and your home. It matters not whether it is in a single pot or on acreage, growing and nurturing life expands your world. Whatever your taste and passion leads you to grow, trees, shrubs, flowers, succulents, vegetables, fruit, nuts or herbs, you see life in the round. You become more aware of the small things, of life around you; butterfly’s moths, bees, the caterpillars, slugs, snails and worms, skinks and snakes. You reconnect with the seasons and changing weather. The struggle for life becomes more apparent as you nurture and then defend from predators.

Sometimes it can even be hard to pick or prune, to end the life of those you have tended for so long, at others it is a race to harvest at the perfect time before plants bolt or birds and possums get there first. The taste is sweeter and the satisfaction greater at every meal.

Not for you the anonymous supermarket flowers, fruit and vegetables but those carefully chosen by you from seed or seedling, nurtured into life, protected from predators and blight and harvested straight into your kitchen or carefully arranged in a vase. You know where they came from and how they were grown. You can choose varieties not mass produced and can grow free from chemicals. You can make a difference by keeping heritage varieties alive.

In a world of increasing financial, climate and food insecurity there is also a sense of safety and self-reliance looking at your own produce growing or stored in larder and freezer.

What better way to start your day than to let the chickens out, collect eggs and watch for every bud and burst of new life?


Henrietta Manning. Tomatoes, Home Grown Series. Acrylic on masonite. 25.5 x 30cm. Photographer Simon Olding
Henrietta Manning. Eggs on the Mantel. Home Grown Series. acrylic on masonite 25.5 x 30cm. Photographer Simon Olding

Studio Waterloo

Special Event at Studio Waterloo
Monday 25 November – Sunday 1 December 2024 : Open daily 11:00am – 4:00pm
57 Glocks Road, Waterloo, Tasmania 7109

In conjunction with the last week of the Lightbox installation the extended series Home Grown will be exhibited in the Artist’s Huon Valley studio, open to the public for one week only. An opportunity not only to view more of the current series but also to meet the artist and explore her working studio and art practice inside the heritage Apple Packing Shed that is her studio. Bring a picnic and enjoy stunning views extending down the Huon River to Sleeping Beauty and Kunanyi/Mount Wellington.


Henrietta Manning

Henrietta Manning is a Contemporary Realist exhibiting since 1984 and currently living in Tasmania. A versatile artist, painting predominately from life, plein air and in the studio, series are developed for exhibition. Drawn to historic sites a recurring theme is the passage of time and how we live with and build upon the past. A recipient of an Australia Council Visual Arts/Craft Board ‘New Work Established Grant’ and finalist in Australian art awards such as The Wynne, Glover, Portia Geach, Waverly, Alice, Fishers Ghost, Eutick, Waterhouse and The Summer Exhibition in England. 

Exhibition Dates :
Thursday 3 – Sunday 27 October,2024

**Installation viewable 24/7

It’s a cake!

Celebrating Nolan School of Arts 25th Anniversary, and artists past and present.  

More SAC Resident Artists
  • All Ages
  • Exhibitions
  • Free
  • Kid Friendly
  • Opening Event
  • Salamanca Arts Curated

Off The Studio Wall

Hannah Blackmore

Thursday 3 – Monday 28 Oct 2024
Studio Gallery
View event
  • All Ages
  • Exhibitions
  • Free
  • Kid Friendly

Arteology

Nolan School of Art

Monday 4 Nov – Sunday 1 Dec 2024
Studio Gallery
View event
  • All Ages
  • Exhibitions
  • Free
  • Kid Friendly

Arteology

Nolan School of Art

Monday 4 Nov – Sunday 1 Dec 2024
Top Gallery
View event
  • All Ages
  • Exhibitions
  • Free
  • Kid Friendly
  • Meet the Artist
  • Opening Event

Great Southern Ocean

Beric Henderson

Thursday 5 Dec 2024 – Friday 31 Jan 2025
Studio Gallery
View event


Friday 28 June 2024 @ 6:45pm

FREE EVENT

The energetic vibe of Rektango meets the quirky chaos of Men in Suits in this opening night Pop-Up Performance.

Men in Suits

Get ready to enjoy a flashmob style performance during the band’s set break. Then stay on and dance away the night to more free music, get along to the Tasmanian Songbook Volume 4, or head up to the Long Gallery for a drink and more entertainment in the Singers’ Lounge


View the full Pop-Up Program


This exhibition is part of the OPEN SKY / Kelly’s Garden 2022 program
Curated by Ainslie Macaulay

Rough and Cut documents four years journeying into central Australia to a place called Coober Pedy. The town owes its existence to the discovery of opal seams in 1915, an iridescent gemstone that came to existence from the water that once covered this desert scape. This precious opal has been mined through a series of boom & busts, almost into oblivion. Beyond the mullock heaps and away from the sun’s searing heat lies the underground dugouts inhabited by the last of the miners still dreaming of one last opal-rich strike. Keeping the idiosyncrasies of the town’s personality alive and well, the encounters are an insight into the characters that call this place a forever home. Captured are the remnants of this magnetic, surreal landscape shaped by its extremities. We are faced with a seeming wasteland formed by remoteness, isolation, and finite resources, and we are reminded of our delicate place in the natural world relentlessly evolving through climate change.

– Abigail Varney

Open Sky is a series of exhibitions showcased in Kelly’s Garden, presented on the land of the traditional owners, the muwinina people. In Varney’s Rough & Cut series she explores the notion of excavating and shifting landscape, and the remnants that are left behind. Echoing these changed landscapes of Coober Pedy we look to Kelly’s Garden, post invasion where Varney’s work is placed.  The exposed rock walls that sit within the Salamanca precinct show the impact of colonisation on the natural environment. A reminder of the layers that are beneath our feet and the rich histories that have come before us.  

Pre orders for the catalogue for Rough & Cut now available through Perimeter Books. Published by Trespasser Books


Artist

Abigail Varney

Abigail Varney (b. 1986) is a portrait and documentary photographer based in Melbourne (Naarm), Australia. Her work predominantly evolves from her curiosity and connection to Australia’s land, people and ecology; to explore untold stories that give light to the vivid and complex lives in Australia. Her work is more recently moving back even closer to home, working with family archives and stories that centre her community and family.  

She has completed a Bachelor of Arts, at Deakin University and an Advanced Diploma at the Photography Studies College. In 2014 her portrait series was featured at the National Portrait Gallery. In 2020 she became a member of the photography collective Oculi. Her long-term documentary project Rough & Cut (2014–2018), has been exhibited in Melbourne, Sydney and Canberra, as well as overseas. Rough & Cut will be her first publication with Trespasser, an independent Texas based publisher releasing in November of 2022.


Proudly presented by Salamanca Arts Centre.

Saturday 29 October, 2022
11am – 1pm
The Courtyard, Salamanca Arts Centre
** weather dependant **

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.

Photo: supplied by the artist

Harry Edwards
Harry Edwards is a Hobart based guitarist, performer, and composer. He graduated with a Bachelor of Music and Bachelor of Arts from the University of Tasmania in 2012 and has since developed a regular practice of performing professionally with various ensembles around Tasmania, including Hobart gypsy jazz staple ‘Django’s Tiger.’



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Proudly presented by Salamanca Arts Centre.

Saturday 15 October, 2022
11am – 1pm
The Courtyard, Salamanca Arts Centre
** weather dependant **

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Proudly presented by Salamanca Arts Centre.

Saturday 1 October, 2022
11am – 1pm
The Courtyard, Salamanca Arts Centre
** weather dependant **

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Proudly presented by Salamanca Arts Centre.

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Proudly presented by Salamanca Arts Centre.

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Proudly presented by Salamanca Arts Centre.

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.