Anna Brooks. Giant kelp (detail) (2020). Collage. 240 x 77cm.
From marine algae to twisted trees, this exhibition by Anna Brooks explores a fascinating variety of plant forms.
An exhibition of works on paper, including printmaking, photography, drawing and collage. Intimate portraits show each plant, or plant part, as something precious and intriguing. The works emphasise form and pattern and the diversity of shapes and designs found in nature. They celebrate the mysterious nature of plants, and draw the viewer into the inner reaches of other organisms which may sometimes seem alien and sometimes familiar.
Anna Brooks has a great love of plants. This began when she was a child roaming around in bushland on the family farm, continued through a degree in Botany, and years of bushwalking in many wonderful places. Brooks completed her Honours in Fine Arts in 2021. Almost all of her art is about the natural world.
Anna Brooks. Cystophora moniliformis (2022). Digital inkjet print. 25 x 25cm
Anna Brooks. White mulberry (detail) (2022). Pen and ink. 29 x 118cm
Anna Brooks. Cystophora platylobium (2022). Cyanotype photogram. 40 x 38cm
Opening Event Friday 9 September 2022, 6:00pm – 8:00pm
“In the light of the moon a little egg lay on a leaf.” – Eric Carle, The Very Hungry Caterpillar
TasPride’s annual Artfully Queer Exhibition and Arts Program showcases the creative talents of emerging and fully fledged contemporary Tasmanian lesbian, gay, bisexual, trans and queer artists, designers, craftspeople and performers, responding to the theme ‘transform’.
As always, interpret, challenge, expand or illustrate as creatively as you like.
Curated by Phoebe Adams.
Be part of it! Artfully Queer is open to all Tasmanian LGBTQ creatives and their families. All mediums and levels of ability are welcome. This years theme is ‘transform‘ and we ask exhibitors to consider the theme and respond to it in their work or choice of entry. For more details on how to enter your art, craft, design work into this years Artfully Queer exhibition at the Long Gallery at Salamanca Arts Centre, please see the link below.
Hannah Blackmore. Southern Light (2022). Acrylic on Canvas. 45cm x 45cm
Southern Light is a series of paintings celebrating the unique light and beauty of Antarctica. Hannah Blackmore depicts this isolated environment through her indirect experience as the partner of an Antarctic expeditioner, and shares why we need to protect this natural wonder of the world.
Southern Light is intended to increase public awareness of the beauty of Antarctica, and the important work that takes place to protect this unique environment.
“I have not been to Antarctica. However, it has become an important part of my life over the past ten years. I have been married for ten years, and my husband has spent a third of that time in Antarctica. It has become part of our relationship, and we also have a close circle of friends who visit Antarctica regularly. It is a place I have developed a strong connection to, through my indirect experience as an artist.
As a painter, I am drawn to colour and light, and the light of Antarctica is something I have found captivating in the images I have seen. I have created a series of semi-abstract landscapes depicting the natural beauty of Antarctica, to show the importance of taking care of our Antarctic legacy. I do hope to travel to Antarctica one day, and capture the beauty I see with paint. For now, I shall share my interpretation and experience through the people in my life with you.” – Hannah Blackmore
Hannah Blackmore. Southern Sea (2022). Acrylic on Linen. 75cm x 100cm
Hannah Blackmore. Frozen Sea (2022). Acrylic on Canvas. 45cm x 45cm
Hannah Blackmore. Southern Wind (2022). Acrylic on Canvas. 30cm x 30cm.
Marinelle Basson. untitled (2021). Digital print on paper. 42cm x 30cm.
Life Drawing : charcoal studies, constructed objects, and photographs that draw on Medieval tapestries, industrial diagrams, wunderkammers, natural history collections, and maps to explore the multiple meanings of Drawing and Life, by Marinelle Basson.
“Life draws : squiggles, paw-prints, and traces – imprints of brachiopod shells from hundreds of millions of years ago in the mudstone of our garden. Less fixed are the flight-lines of insects and birds; harder to spot are the underground drawings of worms, roots, and billions of microscopic creatures. Life is everywhere, even in the darkest underwater. How it wriggles, squeezes out of tight spots, returns after disasters and thrives, or hangs by the thinnest of threads… fragile threads so easily cut: species lost, links severed.
We draw too : tens of thousands of years ago, our ancestors drew with charcoal and ochre on rocks and in caves. Humans have drawn with enormous stone structures, and tiny shell beads, with feet leaving footprints and tracks like wallabies do. We continue to mark the world as we cut and build, dig and dredge. We remove mountain tops, re-route waterways, change everything… our marks getting bigger and bolder.
For me, drawing is mark-making and conversation, listening and responding with charcoal on paper, or tearing, scrumpling, wrapping, pinning. It’s a way of getting to know intimately, distilling the essence of something; a way to explore edges: animate|inanimate, animal-self|human-self. I draw upon life which has drawn me, which still draws me: not just the lines on my hands, but my whole way of being in the world, and what I cherish the most.” – Marinelle Basson
Marinelle Basson. untitled (2021). Charcoal and collage on paper. 42cm x 58cm
Marinelle Basson. untitled (2021). Charcoal and collage on paper. 42cm x 30cm.
Marinelle Basson. untitled (2022). Charcoal on paper. 100cm x 80cm.
Proudly presented by Salamanca Arts Centre.
Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before! Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day. Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.
Everyone is welcome!
Want to play along too?
If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.
Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.
This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.
The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!
The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.
This session will not be amplified so move up close to hear the music as loud as you like.
The main goal being more fun for all.
Why these sessions are so special The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.
The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.
You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.
The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
Proudly presented by Salamanca Arts Centre.
Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before! Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day. Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.
Everyone is welcome!
Want to play along too?
If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.
Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.
This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.
The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!
The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.
This session will not be amplified so move up close to hear the music as loud as you like.
The main goal being more fun for all.
Why these sessions are so special The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.
The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.
You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.
The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
Photo by Jordan Smith. Australian Antarctic Division
More than a century ago, Australia was introduced to the wonder of Antarctica by the great scientist and explorer Sir Douglas Mawson.
Understanding the continent is key to a deeper understanding of climate, weather and sea level changes. As a nation, Australia has an enduring commitment to protect and preserve Antarctica for future generations.
Photo by Andy Hung. Australian Antarctic Division
Nick Hills. Darker Than Empty.
The debut solo exhibition by emerging Tasmanian artist Nick Hills.
Breathe pushes the themes of life and decay in the natural world to a new level. It’s a menagerie of characters and emotional states, everything from spiders tangled upon melting limbs to whimsically psychedelic animal portraits.
Originally inspired by a need to break through some mental health barriers, Nick’s work is a great insight into the artists mind and the 3-year journey involved in coming out of a difficult time and building up a whole new perspective on life.
Coming from a background in mountain biking and a love of hard metal music (the pieces are named after lyrics from Nick’s favorite bands and musicians), Nick’s unique style is both dark and brightly energetic.
All works are archival inkjet printed on 100% cotton rag museum grade paper by Papermill Printhouse (Melbourne) and Full Gamut (Hobart) and are all framed by Hobart’s finest Wagner Framemakers. All prints are available for purchase. Merchandise, stickers and other accessories are also available for sale down in Spacebar Gallery.
Nick Hills. Mind Over Matter.
Nick Hills. Fade Away.
Nick Hills. Grind your teeth.
Photo by Stu Gibson.
Nick Hills
Nick Hills is an emerging artist based on Tasmania. Nick specialises in digital illustration, creating colourful thought-provoking works.
The Annual Exhibition is the highlight of the Art Society of Tasmania calendar. Artists submit work created in the last 12 months to be judged for prizes from sponsors. Artworks include representation of all mediums and genres, and showcase the skill, talent and imagination of local artists.
Haetaek Choi. Untitled 1 (2022). Oil on canvas. 40cm x 40cm
New abstract works by Haetaek Choi comprising of a combination of Automatism, Serendipitous, coincidental expression and Eastern calligraphy.
Automatism Through subconscious, automatic acts of creativity, l strive to express how one is able to visually put to canvas the subconscious visual reality that comes to mind without meticulous planning. Through brush strokes, this instant interpretation of the chaotic unconscious world explores the concept of automatism.
Serendipitous, coincidental expressionism A coincidence is contrary to logos-centred rational thinking. This form of expression combined with automatism produces surprisingly serendipitous artistic results. Although I commence my artwork with a certain image or purpose in mind, I can’t help but accept the end result because it is a result of the convergence between the intentional and unintended.
Eastern calligraphy Amongst the oriental style of brushstrokes, the calligraphy handwriting, which is called chaucer, is a tool where one communicates a clear linguistic message. The varied strength of the brushwork on the canvas however, results in an amazing pictorial image that can be left to further creative interpretation.
“When the three visual elements of Automatism, Serendipity and Eastern calligraphy are combined, I float colours, blend and permeate the paint on canvas, which draws out the contrast between primary and complementary colours.” – Haetaek Choi, Hobart, September 2022
Haetaek Choi. Untitled 2 (detail) (2022). Oil on canvas. 40cm x 50cm.
Haetaek Choi. Untitled 4 (detail) (2022). Oil on canvas. 90cm x 160cm.
Haetaek Choi. Untitled 3 (detail) (2022). Oil on canvas. 60cm x 60cm.
