Event Type: Exhibitions

Anne and Jay Sykes

Exhibition Dates :
Thursday 6 February, 2025 – Monday 3 March, 2025
**Installation viewable 24/7

‘A Collaboration’ features works and ideas from Anthony and Bridget Sutton, brought to life in an eccentric mix of media by their child and grandchild, Anne and Jay Sykes.

A doll house and a set of animals for an ark. Two unfinished projects from a man who made so, so many things for his grandchildren, rediscovered after he left us. We intend to honour his memory by finishing and sharing what he started.

A compulsive doodling habit, the same patterns present without ever being taught. A desire to indulge the imagination, forever and a day. A love of board and card games bordering on the obsessive. These were the things she wanted her grandchildren to keep with them. We will weave them around the carpentry of her husband.

We feel their absence deeply every day. Waves of grief hit, break and return to the ocean.

‘A Collaboration’ addresses family, childhood and grief. The wooden pieces at the centre of the installation were started by Anthony Sutton and the influence of Bridget Sutton is also present throughout.

‘The weeks spent staying with my grandparents on their rural property in Maydena were some of the most formative experiences of my childhood. Hiking in Mt Field, barbecues at Lake Peddar and just romping around, I felt the shadows of what I would later find out was mental illness melting away. My troubles socialising, my anxiety and my dark moods all had a much harder time reaching me up there. The space my grandparents’ made was a haven of fun and wonder that I am forever grateful for. I hope, with this piece, to share some semblance of that place.’ – Jay Sykes

‘While clearing my parents house after my dad had passed I found art projects started and carefully stored away in tins and boxes, toys for my kids lovingly crafted by their grandad, and design ideas by their Granny B. My parents started me on my artistic journey very early in life, always encouraging and facilitating. It will be a wonderful way to honour their memory, to work with Jay using their creations as a starting point and incorporating our own ideas to bring it to fruition. They would be so excited and proud.’ – Anne Sykes

Opening Event :
Friday 14 March 2025, 5:15pm – 7:15pm

Exhibition Dates :
Thursday 13 – Sunday 16 March 2025
10:00am – 6:00pm daily

A walk through half a century of Hobartian Monte John Latham‘s abstract expressionism and ‘worldscape’ paintings.

Monte John Latham’s Walk in the Worldscape exhibition features a selection of striking and vibrant works of oil and acrylic on canvas that explore the interplays between humanity, nature, the metaphysical, mind, journey, and locale. Dreamlike landscapes flow out of and into intricate abstractions expressing serene harmony, dynamism and love through ethereal and evocative colours. 

Largely unknown, Latham is an elusive local underground artist whose prolific journey spans decades of steady and passionate creation, each piece serving as a testament to his unwavering passion for capturing the essence of life and the world around us. Born in the middle of the twentieth century, Latham began painting as a boy. His work blossomed with surrealism, defiance and inquiry during the counterculture currents of the sixties and seventies. 

This exhibition showcases Latham’s most striking works, thoughtfully selected to illustrate the breadth of his artistic journey. It is a rare opportunity to experience the creative evolution of an artist whose vision remains timeless and deeply resonant.

Originals and numbered replica prints will be available for purchase.

Opening Event :
Friday 21 February 2025, 5:30pm – 7:30pm

Exhibition Dates :
Wednesday 19 February – Sunday 2 March 2025
Monday – Thursday 9:30am – 3:30pm
Friday 9:30am – 5:30pm
Saturday & Sunday 8:00am – 3:00pm 

A photographic study of the Tasmanian wilderness, by Tim Faircloth.

Viewers will be taken on a black and white journey celebrating and exploring some of the State’s favourite places. 

Tim Faircloth is a classically trained film photographer using a large format wooden field camera, vintage lenses and black and white film, processed in a home darkroom. 

Driven by a deep passion for photography as an art form, images are presented as a single edition artwork, emphasising the rarity and the significant time and effort invested in capturing it.

Opening Event :
Friday 21 February 2025, 5:30pm – 7:30pm

Exhibition Dates :
Friday 21 February – Tuesday 4 March 2025
Monday – Friday 10:00am – 4:00pm
Saturday 10:00am – 3:00pm
Sunday CLOSED

After The Rain by Sam Wilkinson, presents an intimate response to a seven day expedition through the remote regions of Tasmania’s South West. 

After The Rain is a body of work inspired by a seven day expedition through the remote regions of Tasmania’s South West. Shaped by a first day of heavy rainfall, the work explores the raw beauty of this majestic, yet unforgiving landscape and the untamed weather conditions that followed. 

These paintings are not exact representations, but rather seek to capture the emotional essence of what the artist experienced – shifting skies, blankets of mist and the stillness of rain soaked air. They delve into the powerful impact this precious and ancient landscape can hold both physically and emotionally, how it enters the body, stirs the mind, and lingers long after the journey has ended.

Opening Event :
Friday 7 February 2025, 5:30pm – 7:30pm

Exhibition Dates :
Friday 7 – Wednesday 26 February 2025
Monday – Friday 10:00am – 5:00pm

This exhibition of new work by emerging artist Suemi Chiba explores the possibilities of clay within two different residency places, combining a variety of techniques and materials that the artist experimented with to develop skills and to explore a personal narrative.

“I would like to present an exhibition of ceramic works that combine the rough qualities of dark clays with the refined qualities of white clays. In ceramics different types of clays are generally used for different purposes; they match certain glazes and display different qualities that highlight specific processes and firing types. White clays are often used in refined and decorative work such as with porcelain figures or bone china tableware and ornaments. Often these works are decorated with painting and metallic lusters. Rougher darker clays are often used for more sculptural work and can be used in atmospheric firings where the firing itself plays a large role in the look of the work where effects are created from the fire or chemical reactions of soda and ash. Many ceramic artists will lean towards one of these two very different directions. 

I come from two different cultures that have a long history of ceramic traditions. I am half-Japanese, half-British, grew up in Alberta, Canada, and live in Tasmania, Australia. My ceramic style is influenced by all these cultures and I am still forming my own narrative in my work. I love Japanese techniques, atmospheric firings and the Japanese aesthetic and I also love highly decorative work that might have been seen in my British grandmother’s house.

I am currently completing a six month internship at Gaya Ceramic Arts and will have also completed a residency at the Medalta Historic Clay District in Alberta, Canada. During this time I have the opportunity to complete work with atmospheric firings such as soda, raku and wood firing as well as experimenting with different types of clay. I am working on combining elements of highly decorative work in porcelain with heavier clays used in atmospheric firing.”
– Suemi Chiba

Opening Event :
Friday 24 January 2025, 5:00pm – 7:00pm 

Exhibition Dates :
Friday 24 January – Sunday 2 February 2025
9:00am – 5:00pm daily

A duo exhibition by Greg Ferry and Vanessa Stockard inspired by worship, icons from the Abbey of the good boy, and Gold frames.

Icons have a long history dating as far back as the 3rd century in Christianity, displaying portrait images or narrative scenes depicting scenes of worship or religious events. Often painted in small scale, on wood, egg tempera and gold. Often depicting the lives of saints or pilgrimage. 

Greg Ferry and Vanessa Stockard visit this method of pictorial construction with their own interpretations of iconography. Greg Ferry’s homage to the enormous Huntaway dog Harvey and his Abbey of the good boy and Vanessa Stockard’s Kevin the Kitten enter the ancient and mysterious world of worship.

Opening Event :
Thursday 9 January 2025, 5:30pm – 7:30pm

Exhibition Dates :
Friday 10 – Monday 20 January 2025
10:00am – 5:00pm daily

An exhibition of Tasmanian Bird paintings and limited edition prints by Belinda Kurczok.
Beautifully accurate paintings of Tasmanian birds and flora. 

Opening Event :
Thursday 9 January 2025, 5:00pm – 7:00pm

Exhibition Dates :
Friday 10 January – Saturday 1 February 2025
Monday – Friday 9:00am – 5:00pm
Saturdays 11:00am – 1:00pm
Sundays CLOSED

New works by emerging artist Klaaske Greenwood.

This collection reimagines the cowgirl archetype as more than a person—it is a way of being or state of mind. These loosely painted pieces depict the duality of strength and vulnerability, rebellion and grace. Featuring local, popular culture and historical characters the exhibition plays with this sense of identity in its various forms.

Exhibition Dates :
Thursday 23 – Tuesday 28 January 2025
10:00am – 4:00pm daily 

Immerse yourself in a celebration of art and inclusion! This inspiring exhibition showcases paintings, photography, clay works, and more—all created by talented NDIS participants supported by OnTrack Tasmania. Each artwork reflects their unique stories, creativity, and connection to Tasmania’s rich natural beauty and cultural heritage.

Discover the transformative power of art and community in Creatives of Tasmania, an inspiring exhibition showcasing the talents of NDIS participants supported by OnTrack Tasmania. This unique event features a diverse range of artworks, including paintings, photography, clay works, and collaborative projects, all celebrating Tasmania’s rich natural beauty, cultural heritage, and the creative spirit of its people.

The theme, Creatives of Tasmania, serves as a canvas for exploring the island’s landscapes, wildlife, and vibrant communities. Each piece in the exhibition tells a personal story, reflecting the individuality and resilience of its creator. From bold brushstrokes depicting iconic Tasmanian landmarks to intricate clay sculptures inspired by the island’s unique flora and fauna, the exhibition invites visitors to see Tasmania through the eyes of its artists.

This event is more than an art show—it’s a celebration of inclusion, empowerment, and connection. Every artwork represents a journey, where participants have expressed their challenges, triumphs, and joys through creativity. Supported by OnTrack Tasmania, these artists have embraced the opportunity to share their talents and contribute their voices to a collective celebration of what it means to be Tasmanian.

Art, in this context, becomes a powerful medium for transformation. It offers individuals a way to explore their potential, connect with others, and express emotions that words often cannot capture. For many participants, creating these works has been a deeply personal experience, allowing them to overcome barriers, build confidence, and communicate their unique perspectives.

The exhibition also highlights the collaborative spirit that lies at the heart of Tasmanian culture. Several artworks have been created as group projects, fostering teamwork and a shared sense of achievement. These pieces symbolize unity and the strength that comes from working together, embodying the supportive and inclusive environment cultivated by OnTrack Tasmania.

Through this exhibition, OnTrack Tasmania showcases its commitment to empowering individuals with disabilities and fostering their creative growth. By providing access to resources, guidance, and encouragement, the organization ensures that participants can explore their artistic abilities and share their talents with the wider community. This event stands as a testament to the positive impact of such initiatives, reminding us of the importance of inclusion and opportunity.

Visitors to Creatives of Tasmania will be captivated by the sheer diversity and creativity on display. Each artwork invites viewers to connect with the artist’s journey, offering a glimpse into their world and their interpretation of Tasmania’s unique identity. The exhibition serves as a bridge, bringing together artists and audiences in a shared appreciation of creativity and resilience.

Ultimately, Creatives of Tasmania is a celebration of the human spirit. It reminds us that creativity has the power to unite, inspire, and transform. It’s an invitation to see beyond the surface, to understand the stories behind the art, and to celebrate the beauty of diversity in all its forms. This exhibition will leave visitors with a renewed sense of appreciation for the talent, determination, and vision of Tasmania’s creative community.

Through the lens of art, Creatives of Tasmania offers a heartfelt tribute to the island’s culture, landscapes, and people, demonstrating how art can serve as a powerful tool for connection and expression. It’s an experience not to be missed—a reminder of the creativity and resilience that define Tasmania and its community.

Opening Event :
Thursday 9 January 2025, 5:00pm – 7:00pm
Exhibition to be Opened by Caroline Davies Choi

Exhibition Dates :
Thursday 9 – Sunday 19 January 2025
10:00am – 4:00pm daily

An exhibition by Rachel Bremner, exploring the expressive possibilities of contemporary mosaic using an improvised process highlighting texture, reflection, the effects of changing light on the surface.

“From early childhood leading up to my life as a visual artist, I trained and performed as a professional violinist. I continue to be fascinated by the similarities and differences between the two forms of artistic expression.

I had never conceived of music as an art form that needed words to provide background or convey what I mean to express.

Expressing myself in words has never come easily to me, I can rarely find the right ones for my purpose, music was always the perfect medium for my intense  sense of privacy. In music performance I could present my inner world to the audience, all my thoughts, reactions, emotions without having to describe the background story.

When I started to put my mosaic work out into the world, in contrast to music-making, I struggled with the obligation in the art world to use words when presenting to an audience. I felt a growing conflict with the wordless immediacy with which I wanted to engage and how much words can interfere with that engagement.

I presented the past exhibition as  an intense offering to the audience to pause, observe each work and examine emotional reactions in their own terms, with no titles, no accompanying prompts.

This Second Cycle is intended as an expression of where my life, imagination and emotional being have moved since my previous exhibition.”
– Rachel Bremner