Floods, fires and a pandemic – escape is tantalising to us in the face of these threats.
A lifeboat promises liberty and offers hope, and as art it sets the imagination free and transports us from the limitations of our daily routine.
Inspired by the emergency lifeboat of the recently decommissioned Aurora Australis icebreaker, which was a prominent feature of the Hobart waterfront, Escape Pod by Colin Langridge provides a historical reference to these past three decades. The bright orange colour is a visual link to the ship that berthed only 200 metres from this site.
Acknowledgements: The artist would like to thank Stuart Houghton (metalwork), Jason James (lighting), Andrew Jarvis (fibreglass) and Trevor Smith for their assistance with this project.
Image credit: Colin Langridge | Escape Pod (2021) | Fibreglass, stainless steel, acrylic, LED light | 200 x 80 x 80cm
Proudly presented by Salamanca Arts Centre.
Saturday 29 October, 2022 11am – 1pm The Courtyard, Salamanca Arts Centre ** weather dependant **
Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before! Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day. Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.
Everyone is welcome!
Want to play along too?
If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.
Harry Edwards Harry Edwards is a Hobart based guitarist, performer, and composer. He graduated with a Bachelor of Music and Bachelor of Arts from the University of Tasmania in 2012 and has since developed a regular practice of performing professionally with various ensembles around Tasmania, including Hobart gypsy jazz staple ‘Django’s Tiger.’
Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.
This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.
The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!
The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.
This session will not be amplified so move up close to hear the music as loud as you like.
The main goal being more fun for all.
Why these sessions are so special The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.
The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.
You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.
The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
Proudly presented by Salamanca Arts Centre.
Saturday 15 October, 2022 11am – 1pm The Courtyard, Salamanca Arts Centre ** weather dependant **
Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before! Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day. Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.
Everyone is welcome!
Want to play along too?
If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.
Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.
This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.
The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!
The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.
This session will not be amplified so move up close to hear the music as loud as you like.
The main goal being more fun for all.
Why these sessions are so special The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.
The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.
You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.
The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
Proudly presented by Salamanca Arts Centre.
Saturday 1 October, 2022 11am – 1pm The Courtyard, Salamanca Arts Centre ** weather dependant **
Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before! Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day. Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.
Everyone is welcome!
Want to play along too?
If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.
Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.
This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.
The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!
The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.
This session will not be amplified so move up close to hear the music as loud as you like.
The main goal being more fun for all.
Why these sessions are so special The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.
The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.
You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.
The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
Proudly presented by Salamanca Arts Centre.
Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before! Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day. Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.
Everyone is welcome!
Want to play along too?
If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.
Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.
This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.
The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!
The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.
This session will not be amplified so move up close to hear the music as loud as you like.
The main goal being more fun for all.
Why these sessions are so special The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.
The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.
You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.
The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
Proudly presented by Salamanca Arts Centre.
Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before! Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day. Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.
Everyone is welcome!
Want to play along too?
If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.
Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.
This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.
The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!
The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.
This session will not be amplified so move up close to hear the music as loud as you like.
The main goal being more fun for all.
Why these sessions are so special The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.
The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.
You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.
The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
Proudly presented by Salamanca Arts Centre.
Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before! Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day. Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.
Everyone is welcome!
Want to play along too?
If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.
Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.
This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.
The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!
The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.
This session will not be amplified so move up close to hear the music as loud as you like.
The main goal being more fun for all.
Why these sessions are so special The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.
The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.
You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.
The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
Proudly presented by Salamanca Arts Centre.
Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before! Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day. Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.
Everyone is welcome!
Want to play along too?
If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.
Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.
This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.
The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!
The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.
This session will not be amplified so move up close to hear the music as loud as you like.
The main goal being more fun for all.
Why these sessions are so special The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.
The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.
You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.
The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre
Witness the power of fusion with two of Hobart’s up and coming rappers blending language, culture and classic hip hop beats to tell stories in a new way.
RC40 RC40 is Tasmania’s first Hindi rapper. Drawing on his personal stories and challenges in life, RC40 collaborates with local artists producers in Hobart and in June 2022 his song “I.M BORN” became the first Hindi rap song releaser by Tasmanian Hip Hop Collective.
Adonay Tsegezeab (marra dona) Blending his mother tongue, Tigrinya, and English, Adonay makes powerful music that maps his journey to lutruwita (Tasmania) from Eritrea, through Ethiopia and lifts people up with strong messages.
Curated by Sharifah Emalia Al-Gadrie
Friday 19 August 2022 6pm – 7pm
Photo: supplied by the artist
Raj Chopra (RC40)
RC40 – Hindi Rapper based in Hobart is involved in music since 2020. The name RC40 is initials derived from his full name Raj Chopra. His rap is inspired by his own stories and challenges in life. Raj writes his own songs and composes them after finding local producers. Few months back Raj collaborated with another local rapper Zeke to release the first Hindi-English collab song in the history of Tasmania – “Guilty”.
Photo: supplied by the artist
Adonay Tsegezeab (marra dona) Blending his mother tongue, Tigrinya, and English, Adonay makes powerful music that maps his journey to lutruwita (Tasmania) from Eritrea, through Ethiopia and lifts people up with strong messages.
These events are part of Winter Light 2022 and are presented by Salamanca Arts Centre
August is a special time for Japanese people as they celebrate ‘Obon’, a cultural tradition where ancestors come back from the other world. Lanterns are displayed as guides for them to find their way home to their families.
Obon is a time to remember and honour family members that have passed away, while gathering with the ones that are still with you. Participants in the lantern workshops (held in late July) were welcomed to dedicate their lantern to someone. They were invited to place a picture, writing or artwork on their lanterns in honour of them, if they felt comfortable to.
Workshops participant learnt how to make a paper Obon lantern with Japanese contemporary artist Yumemi Hiraki.
Sadly, the lanterns which were created were destroyed by the weather. A reminder of impermanence. We would like to thank all the people who created a lantern as part of this project. They looked beautiful during the Opening Event for Winter Light.
Photo: Will Nicolson
Yumemi Hiraki Yumemi Hiraki is a multidisciplinary artist currently based in Nipaluna. Her practice delves into the interactions between memory, nostalgia, history and connection to place, while re-examining the relationship to her Japanese heritage. Viewing herself as a resident of cultural gaps, her works evokes a familiar yet foreign sense of longing, belonging and holding on, while hinting at life’s inevitable continuity and ephemerality.
Yumemi is originally from Hiroshima, Japan. She completed her BFA(Sculpture and Spatial Practice) at the Victorian College of the Arts and has been an active Arts Worker while exhibiting and developing her practice in both Naarm and Nipaluna. Yumemi has a growing interest in community-based arts, mentorship and education, and currently also works as a Youth Arts Officer at the Youth Arts and Recreation Centre.
