Address: Studio Gallery

Opening Event :
Friday 20 September 2024 @ 5:30pm

Daily Opening Times :
Wednesday 3 – Friday 27 September 2024
Monday – Friday – 9:00am – 5:00pm
Saturdays 10:00am – 2:00pm
Sundays CLOSED

An exhibition of works by Greg Wood, SAC’s current Artist in Residence.

Greg Wood’s paintings offer moments of reprieve and contemplation. At once both closely observed and deeply imagined, they depict landscapes not quite locatable. Records of light, colour, and atmosphere, his paintings are the stuff of memory itself.
–Amelia Wallin

Greg Wood is a painter of the earthy and ethereal. During the last 25 years his practice has involved the observation of landscape and the natural world. He paints places traversed through sensory impression
For Wood the essence of place is more important than specifics of location. He creates art that alludes to the mysterious impressions left by landscape, the emotional afterimages that endure. His delicate, layered canvases invite us to enter a felt sense of place, imbued with memory and emotion. Wood describes his work as a ‘slow release’ –the nuance of his paintings gradually revealing themselves to the viewer. A formative influence is Melbourne tonalist, Clarice Beckett, who has informed his use of thin, gestural layers of muted colours, flattened forms, merging tones and diffuse light.

Wood’s paintings are psychologically and visually alluring. The more we look, the more we are invited to come into communion with the subtle aspects how place shapes us, how we dwell in landscapes both literal and interior.

Presented by Hannah Blackmore

Opening Day: 5 October, 2024 | 10am – 4pm

Daily opening times :
3 – 28 October, 2024
10am – 4pm daily

Off The Studio Wall explores contemporary Tasmanian landscapes and seascapes, where themes of light dance across a subtle palette, capturing the rugged yet serene essence of Tasmania’s natural beauty.

Discover the beauty of Tasmania’s landscapes and seascapes through the evocative work of local artist Hannah Blackmore in her solo exhibition, ‘Off The Studio Wall,’ showing in The Studio Gallery at Salamanca Arts Centre.

Running from the 3rd of October to the 28th of October 2024, the gallery will be open daily from 10 am to 4 pm, allowing visitors to immerse themselves in Hannah’s unique artistic vision. Join us for an exclusive open day on Saturday 5th October, and chat with the artist about her work.

‘Off The Studio Wall’ explores contemporary Tasmanian abstract landscapes and seascapes, where themes of light dance across a subtle palette of warm tones, cool greys, and white. Hannah’s innovative technique of blending plaster with paint lends a distinctive texture to her canvas, capturing the rugged yet serene essence of Tasmania’s natural beauty.

With 25 new paintings being released, this exhibition offers art and nature lovers a chance to bring Tasmania’s captivating scenery into their own spaces.

Hannah Blackmore’s artistic journey is anchored in her fascination with the power of reduction. Her works transcend traditional landscape representation, guiding viewers to connect with the essence of nature in its purest form. Through a sophisticated use of colour, texture, and form, Hannah captures the very soul of landscapes and seascapes, distilling them into compositions that pulse with emotional intensity.

While minimalist in appearance, Hannah’s paintings resonate deeply. By stripping away extraneous detail, she unveils the emotional core of each scene, inviting viewers to experience a range of feelings from tranquillity to introspection.

For an even deeper dive into Hannah’s creative process, visitors are invited to explore her studio, conveniently located next door to The Studio Gallery. Witness firsthand the inspiring environment where these atmospheric pieces come to life.

Daily Opening Times :
Friday 5 July – Sunday 11 August 2024
Monday – Friday 9:00am – 5:00pm
Closed most weekends / Weekend Opening Hours TBC

“A residency within a residency. A glimpse into my creative process.

I often get the impression that a lot of the general public views artists as elusive and mysterious. We hide away in studios for hours, weeks, or months and eventually emerge with a creation. Let’s get things out in the open.

For five weeks I will move my practice out of my studio and upstairs into the studio gallery. Recent works will hang on the walls as usual, alongside my current projects. One such project is a large drawing whose subject is as tall as I am. On the days I would have otherwise been downstairs in studio 126, I’ll be in situ, working in the studio gallery. Unfortunately, this will not be every day. But on the days I am not present, my work will still be there for you to see.

I invite people not only to see what I’ve made in recent months but what I’m currently making as well. Come and watch me work, have a conversation with me, or both. You can ask me questions about my process and materials and get a glimpse of how I turn a blank surface into a hyperreal drawing using just graphite, brushes, and erasers. 

My process is a time-consuming one. The large drawing is not a project that will be completed in the course of the exhibition. You will get a glimpse of the beginning of the project in action, and the beginning of a form will emerge.”
– Katelyn Geard

Daily Opening Times :
Friday 3 May – Thursday 27 June 2024
Monday – Friday 9:00am – 5:00pm
Public Holidays CLOSED
Weekend Opening Hours as below (selected Saturdays / dates only):
Saturday 15 June 2024, 10:00am – 4:00pm
Saturday 22 June 2024, 10:00am – 4:00pm

Opening Event :
Thursday 9 May 2024, 5:30pm – 7:30pm

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MORSEL is an annual showcase of works by Salamanca Arts Centre’s Resident Visual Artists, with works created as part of their Studio practice.

Works range from photograph to painting to collage; drawing to sculptural; figurative to abstract; from Artists in the Willis, Stanmore and Morrison Studios.

MORSEL
– a noun [mor·​sel]
A morsel is a small amount of something, a tid-bit, a sliver, usually of something of high-quality and much desired — like a morsel of dark chocolate or a morsel of secret information.

Featured Artists :
Emma Bingham
Hannah Blackmore
Jack Braudis
Lucinda Bresnehan
Katherine Cooper
Antoinette Ellis
Phillip England
Katelyn Geard
Jane Hodgetts
Melissa Kenihan
Jamin Kluss
Kwony Kwon
Julie Payne
Julien Scheffer
Emily Snadden
Julie Stoneman
Michael Vivarelli
Richard Wastell

“The World of Words” stands as an embodiment of cultural pride, an effort to share the wisdom and beauty of Islamic art with the world. Through Halima’s vision, we are encouraged to see beyond preconceived notions, to appreciate the art form for its inherent grace and significance.

In the realm of Halima’s artistic prowess, the canvas becomes a portal to a mesmerizing world – “The World of Words.” Through her exquisite Arabic calligraphy artworks, Halima extends an invitation to all, beckoning them to explore a universe inspired by ancient Islamic art. This series transcends mere visual aesthetics; it is a profound journey into the depths of meaningful words, each stroke echoing as a silent whisper of the soul.

Halima’s inspiration draws from the rich tapestry of Islamic art, breathing new life into a centuries-old tradition. The result is more than just visually stunning; it is an immersive experience, where words become vessels of profound meaning and beauty. In a world saturated with noise, “The World of Words” stands as a sanctuary for contemplation, a space where one can listen to the silent echoes of the heart.

The series is a testament to Halima’s commitment to unravelling the intrinsic beauty of Islamic art. Beyond the brushstrokes, she weaves a narrative that defies stereotypes and challenges misconceptions. Each carefully crafted word becomes a bridge between cultures, inviting a global audience to appreciate the elegance and depth found within Arabic calligraphy.

As the ink flows, so does a river of wisdom, carrying with it the heritage and cultural significance of Islamic art. Halima’s artistic odyssey is not merely about creating beautiful visuals; it is a conscious effort to share the soulful whispers embedded in each word. Through her work, she endeavors to dismantle stigmas associated with Muslims and Islamic art, replacing them with a celebration of the profound messages encapsulated within her creations.

In a world hungry for connection and understanding, “The World of Words” emerges as a beacon, offering a space where diversity is not only acknowledged but celebrated. Halima’s art transcends boundaries, fostering a deeper appreciation for the universal language embedded in Arabic calligraphy.

Step into the enchanting world Halima has crafted, where each word is a doorway to a cultural legacy and a testament to the power of art in breaking barriers. It is an artistic odyssey that encourages us to not only witness but immerse ourselves in the beauty of “The World of Words.”

PLEASE NOTE our lift is currently undergoing maintenance and repairs. Wheelchair access to levels 2 and 3 of the arts centre is currently unavailable.

Opening event: February 8, 2024. 6pm

Daily opening times:
Feb 6 – Mar 11, 2024

Monday – Friday 9am – 5pm

Closed on weekends

2023 was an interesting year. Half the way through the year I moved into my new studio at the Salamanca Arts Centre. This move has had a significant effect on both how I paint and what I paint. After more than five decades of painting it is still fascinating and exciting to see my work continue to change and evolve. The paintings in this exhibition, all painted in 2023, are from both before and after my move to the new studio.

PLEASE NOTE our lift is currently undergoing maintenance and repairs. Wheelchair access to levels 2 and 3 of the arts centre is currently unavailable.

Daily opening times:
29 November – 12 December, 2023 (Sidespace Gallery)
10am – 4pm

14 December, 2023 – 28 January, 2024 (Studio Gallery)
10am – 4pm

Pivotal.  Definition;  big moments and little moments of clarity that provide us with new perspectives and opportunities for change.

PIVOTAL, big moments and little moments of clarity that provide us with new perspectives and opportunities for change.

Works in watercolour, gouache and graphite featuring the everyday, a feather, a bird’s nest, to the rare and uncommon, the tiny Tasmanian Red Handfish.

We take much for granted and in doing so, we devalue it.  This response is not necessarily intentional, but life is busy, and there is an assumption, an acceptance what we view about us will always be there.

We live in pivotal times.  Do we need to reconnect; do we need to find ‘enchantment’ in the simple and uncomplicated to rediscover balance?  I think so.  

As Author Katherine May writes in her latest publication ‘Enchantment: Awakening Wonder in an Anxious Age’ – ‘Our sense of enchantment is not triggered only by grand things; the sublime is not hiding in distant landscapes. The awe-inspiring, the numinous, is all around us, all the time. It is transformed by our deliberate attention. It becomes valuable when we value it’.

Featuring works by Nolan Art K-12 Students, this annual exhibition features ceramics, sculpture, fashion illustration, oil and acrylic painting, and drawing.

Opening event: October 13, 5pm

Daily opening times:
5 – 24 October, 2023
Monday – Friday 10am – 4pm / Saturdays 11am-3pm / Sundays CLOSED

Phillip England explores the nature of the photograph as image object using the arcane, wet plate collodion tintype photographic process, which draws attention to its own materiality as much as it does to the subject in front of the lens.

In IMAGE / OBJECT Phillip England explores the nature of the photograph as image object, using a medium that draws attention to the physical photograph itself as much as it does to the photographic subject, subverting our tendency to confuse the two.

The tintype, also called the ferrotype or melainotype, was invented in 1856. It consists of a thin layer of photographic emulsion (traditionally collodion) coated onto a blackened sheet of metal. This plate is exposed directly in the camera and developed immediately while still wet. The resulting negative image appears positive against the black support.

The tintype greatly democratised photography because it facilitated, for the first time since the invention of photography, the production of cheap and durable photographic portraits and scenes.

The 21st century revival of the wetplate collodion tintype technique exemplifies a reaction to the digital, high-tech “perfection” of contemporary photography and represents a return to authentic, hand crafted, analogue image making. The beguiling materiality of a tintype is rarely encountered in modern photography.

The arcane, antique chemical process of tintypes renders contemporary subjects with an altered psychology of space. Tintype portraits in particular have an arresting power that haunts. The long exposure times Phillip uses force the sitter to concentrate on their own stillness and gaze, investing the photo portrait with gravitas and an ineffable aura.

With the works in this exhibition, Phillip investigates the potential of analogue photographic techniques, which once were so potent, precious and ceremonial, to say something new, important and alchemical in an age of ubiquitous digital and infinitely computer-manipulatable imagery.

The works comprising IMAGE / OBJECT span the eight years the artist has been practicing this technique and include still lifes, landscapes and portraits.

Daily opening times:
Friday 12 May – Sunday 25 June 2023
Mon – Fri 9AM – 5PM

Sonder – noun. the realisation that each random passerby is living a life as vivid and complex as one’s own

SONDEROUS is an annual showcase of works by Salamanca Arts Centre’s Resident visual artists, with works created as part of their Studio practice.

The works presented range in mediums including but not limited to photography, painting, collage, printmaking and more.

Featured Artists:
Catherine Arsaut
Halima Bhatti
Emma Bingham
Hannah Blackmore
Michaye Boulter
Belinda Casey
Katherine Cooper
Antoinette Ellis
Phillip England
Joe Fazackerley
Jamin Kluss
Donna Oakford
Julie Payne
Emily Snadden
Linda Veska
Richard Wastell