Event Type: Performances

WORKSHOP :
Saturday 24 May 2025, 10:00am – 1:00pm
Doors Open 20 minutes prior

Duration : 3 x Hours

Cost : $50 (+BF)

Whether your improv journey has recently begun, or you are a seasoned improviser, this workshop will power up your impro to the next level.

What do the words dynamite and dynamics have in common? The root DYNA – which means power.

Often, when people refer to POWER IMPRO they mean fast, hard, loud, and unrelentingly funny. This is definitely a powerful way to play…sometimes. But sometimes the most powerful way to play is slow, soft, silent, or poignant. Master improvisers know how to play a full range of energies and when to apply them to their characters, scenes, and the stories they tell.

In this workshop, you will learn how to build and harness your own impro superpowers to play within a dynamic range – physically, verbally, and emotionally. Whether your improv journey has recently begun, or you are a seasoned improviser, this workshop will power up your impro to the next level.

Performance :
Saturday 24 May 2025
Doors Open 7:00pm | Performance from 7:30pm – 9:00pm (includes Interval)

Tickets :
Full Price $30 (+BF)
Concession $25 (+BF)

Ruby Rocket is an intoxicating, intoxicated private eye who always gets her man…

Except, of course, when she doesn’t. In this hilarious improvised show, Stacey Hallal plays Ruby, weaving vivid noir storytelling, physical comedy, Jon Timm’s innovative multimedia imagery. Featuring a guest cast of Hobart’s top improvisers. Not to be missed!

Stacey Hallal and Jon Timm have toured Ruby Rocket across North America and Europe to packed houses and amazed audiences.

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“Hallal’s strong improv skills and comedic timing take audiences on a ride where there’s no guessing what’s in store.” -­ Vue Weekly

“Hallal is a stage dynamo. Fast and fearless.” -­ Winnipeg Free Press

“She’s a genuine talent.” -­The Oregonian

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PROTEA Impro’s 2025 season is supported by Salamanca Arts Centre

Performance :
Saturday 10 May 2025
Doors Open 7:00pm | Performance from 7:30pm – 9:00pm (includes Interval)

Tickets :
Full Price $30 (+BF)
Concession $25 (+BF)

The new works of Shakespeare, unscripted!

What if the Bard had written one more play—tonight, right before your eyes? Under the masterful direction of Dr. David Charles, Improvised Shakespeare weaves an entirely new tale in the style of the greatest playwright of all time—completely improvised and utterly unpredictable. Expect grand soliloquies, star-crossed lovers, mischievous fools, and tragic downfalls, all crafted on the spot with wit, wordplay, and wild imagination.

Prepare for an evening of iambic pentameter, period-accurate absurdity, and Elizabethan drama like you’ve never seen before—because no one has!

PROTEA Impro’s 2025 season is supported by Salamanca Arts Centre

WORKSHOP :
Tuesday 13 May 2025, 6:00pm – 9:00pm
Doors Open 15 minutes prior

Duration : 3 x Hours

Cost : $50 (+BF)

Learn how to make up a musical with international guest Dr David Charles.

Are you intrigued by musical improv and want to build confidence, sharpen your skills, and get some experience in a playful and inviting environment? This three-hour workshop explores techniques to help you bravely start your improvised songs as a confident and well-executed song launch often makes all the difference between sinking and soaring in the moments that follow. No prior improv singing experience needed, but a willingness to sing publicly will help!

Train with Dr David Charles. He is a master of improvised musical theatre. A graduate of Players Workshop of Second City. David is the creator of improvised musicals like FourPlay: The Improvised Musical and Your Opera in a Trunk. He is also the author of Improv Dictionary (Routledge, 2024) and a sought-after instructor known for making musical improv fun, accessible, and electrifying. Join his workshop and unlock your ability to create songs, scenes, and entire musicals—on the spot!

Tues 24 June, 2025
7pm – 9pm (Doors open at 6.30pm)
Live @ The Founders Room
Salamanca Arts Centre
65b Woobys Lane, or for lift access enter through The Courtyard

$39 +bf General Admission
$35 Concession

Welcome to the first of our Classical Salamanca 2025 series, live in the Long Gallery.
Salamanca Arts Centre presents ‘Two Octets’
The String Octet in C major, Op. 7 by George Enescu (1881-1955) and 
the Octet in E-Flat Major, Op. 20 for Strings by Felix Mendelssohn (1809-1847).

Tuesday 24th June 2025
Doors & bar open at 6:30pm
Music commences at 7pm 

The Long Gallery
Level One, Salamanca Arts Centre
[ Enter via the main doors at 77 Salamanca Place, or take the Lift via the Courtyard ]

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In this concert of two of the most-loved string octets, Chamber music leader, Peter Tanfield, will direct an ensemble of some of the best and most highly-regarded musicians in Tasmania, including:
(Violins) Peter Tanfield, Phoebe Masel, Natalya Bing and Joshua Farner;
(Violas) Douglas Coghill and Damien Holloway,
(Celli) William Hewer and Kate Calwell.

You can read more about Enescu’s Octet here.

You can read more about Mendelssohn’s Octet here.

Tickets are only $39+BF, or $35+BF for concession card holders, and with a further discount offered to SAC Associate members.

Peter Tanfield was born in England in 1961 and started the violin aged four. He studied in Germany, Israel, Switzerland and Holland where his teachers were Igor Ozim, Felix Andrievski, Alberto Lysy, Herman Krebbers and Yehudi Menuhin.
He was a prize-winner at The Carl Flesch International Competition, International Mozart Competition, International Bach Competition amongst others.   As soloist and chamber musician he has played throughout Europe, China, Japan, India, Canada, the Middle East, Africa, USA, and USSR. He has recorded numerous solo and chamber works for television and radio as well as CD. He has played for Chairman Deng in China and the Sultan of Oman.

As soloist Peter has appeared with many major orchestras; the Philharmonia, City of London Sinfonia, Scottish Chamber Orchestra, West German Radio Orchestra, Radio Symphony Orchestra of the RAI in Rome, Scottish Chamber Orchestra.
As concertmaster, he has had extensive experience working with BBC Philharmonic, RSO RAI Roma, West German Radio Orchestra, London Sinfonietta, Scottish Chamber Orchestra. Some of the artists and composers he has worked and performed with: Astor Piazzolla, Charlie Watts, Pinchas Zukerman, Yehudi Menuhin, Charles Wuorinen, Arvo Paert, Graeme Koehne, Gary Carr, Itzhak Perlman.
Some of the conductors he has worked with are Carlo Maria Giulini, Claudio Abbado, Charles Dutoit, Louis Fremaux, Richard Hickox, Heinz Wallberg, Jun-Ichi Hirokami, John Adams, Oliver Knussen, Paavo Jaervi, Martin Brabbins, Gary Bertini, Georg Solti, Pierre Boulez, Simon Rattle.

Peter has been active as a teacher in Britain, Spain, Germany, Switzerland and Australia organizing, coordinating and delivering courses and chamber music programmes for festivals and youth organizations.
From 2002 to 2008 he was lecturer in violin and ensemble at the Tasmanian Conservatorium of Music, University of Tasmania. He was also Artistic Director of the Tasmanian Senior Youth Orchestra and the Derwent Symphony Orchestra, and has been Artistic Advisor to the Hobart Chamber Orchestra. Peter came to Australia in 1998 to lead the Australian String Quartet.  Until he left in November 2001 he dedicated himself to the quartet’s development and teaching at the university of Adelaide, expanding the ensemble’s national profile, making two films for the ABC and becoming the Artistic Director of the Adelaide Chamber Orchestra.

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Please note that the Courtyard Lift IS OPERATING!

Doors & Bar open at 6:30pm
Music begins at 7pm

The Long Gallery
Level One, Salamanca Arts Centre

77 Salamanca Place 
Hobart.
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This concert at Salamanca Arts Centre is supported by Arts Tasmania’s 2025 Arts Projects Fund.
Salamanca Arts Centre is grateful for this support via Arts Tasmania and the Minister for the Arts.

Performance :
Saturday 11 October 2025
Doors Open 6:00pm | Performance from 7:00pm – 10:00pm

Duration : 90 Minutes (includes interval)

Tickets :
$49 (+BF)
Tickets may be available on the door if not sold out

This is more than a tribute – it’s a heartfelt love letter to Streisand’s iconic career.

Experience the magic of Barbra Streisand’s legendary career with Rachael Grace, as she brings to life the timeless hits that have defined generations.

This stunning production, featuring musical direction by Green Room Award-winning John Thorn, takes audiences on a musical journey through Streisand’s iconic songs – from emotional ballads to disco classics. Rachael’s powerful voice, unique interpretation and world class band make this show more than just a tribute – it’s a heartfelt love letter to one of the greatest voices in music history.

Hailed ‘as divine as Streisand herself’ by Glam Adelaide, this unforgettable performance blends musical genres with an exceptional ensemble to create a truly spellbinding experience.

Presented by Footloose Dance Party

Friday 16 May 2025
Doors @ 7:30pm | Music from 7:30pm – 11:00pm

SET TIMES:
Juniper 7:30 – 9:00pm
Hugo Bladel 9:00pm – 11:00pm

Tickets :
Final Release $19.80 (+BF)
Tickets may be available on the door if not sold out

The SAC Bar will be operating throughout the event, providing both alcoholic and non-alcoholic refreshments

Hobart’s favourite dance party returns for 2025… it’s time to get Footloose! 👟🎉
Come and shake your groove thing with Hugo Bladel for a special 2 hour DJ Set, jam-packed with Disco Classics 🕺🏻

We will be spinning artists such as:
Chic
Sister sledge
ABBA
Diana ross
Earth, Wind and Fire
Beegees
Kool & the Gang
KC &. The Sunshine Band
Patrice Rushen
Madonna
Pointer sisters
Whitney Houston

Located in the Founders Room on a Friday Night – starting right after Rektango! 🎶

Dress up in your favourite Disco threads 👚👗 there will be a prize for best dressed 🏆

See you on the Dance-floor!  💃🏼

Fri 9 May, 2025
7:30pm – 10:00pm (Doors open at 7pm)
Live @ The Founders Room
Salamanca Arts Centre
65b Woobys Lane, or for lift access enter through The Courtyard

$19 + bf

Welcome to the Global Sounds Salamanca series, live in the Founders Room on Woobys Lane.

Berimbau

Friday 9th May 2025
Doors & bar open at 7pm
Music from 7:30pm 

The Founders Room on Woobys Lane
Salamanca Arts Centre 

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Berimbau is a half Brazilian  / half Australian band, specialising in Brazilian music.  From samba to bossa nova, choro to forró, let Berimbau take you on a whirlwind tour through the rich musical tapestry of the tropical nation which gave birth to so many infectious rhythms and searing melodies. 

Berimbau also performs in a traditional ‘roda de samba’, where the audience encircles the band which plays in the centre of the room and which allows the audience to experience the music a different way.

Berimabu’s ‘raucous’ sets with a big band and full percussion section, will have the whole audience up on the dance floor inspired by the passion of samba!

Berimbau comprises of:
Elijah Davies – guitar | Elisse Kleiner – flute | Jeremy Marcotte – percussion | Henrique Mariano – percussion | Dan McGill – percussion, vocals | Noah Rosenbloom – cavaquinho, vocals | Cissa Santos – vocals | Elias Solis – percussion

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Please note that the Courtyard Lift IS OPERATING!

Doors & Bar open at 7pm

Music begins at 7.30pm
The Founders Room on Woobys Lane
Salamanca Arts Centre.

Concession tickets are only $19 ea +BF

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This concert at Salamanca Arts Centre is supported by Arts Tasmania’s 2025 Arts Projects Fund.
Salamanca Arts Centre is grateful for this support via Arts Tasmania and the Minister for the Arts.

Sat 31 May, 2025
7:30pm – 10:00pm (Doors open at 7pm)
Live @ The Founders Room
Salamanca Arts Centre
65b Woobys Lane, or for lift access enter through The Courtyard

$28 +bf each
$52 +bf for 2 x tickets
$91 +bf for 4 x tickets

Salamanca Jazz is Live in the Founders Room on Woobys Lane, with 
We Got Rhythm: Ken Schroder’s Jazz Latin Sextet

Saturday 31st May 2025
Doors & bar open at 7pm
Music from 7:30pm 

The Founders Room on Woobys Lane
Salamanca Arts Centre 

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“A quick Internet search reveals that Latin America refers to the lands colonised by the French, Spanish and Portuguese during the maritime ‘Age of Discovery’ of the new World by Christopher Columbus and others around 1492.

The distinction from other American colonies of the Dutch and British was first made only in the 19th century, using the differences in the predominance of Latin in the languages of these powers, possibly to keep the distance between Protestant and Catholic countries nice and sharp.

Latin American music came about with the introduction of slavery, where Africans were brought against their will to work the plantations and elsewhere in the new colonies, and even if they were deprived of their drums, they brought with them the rhythms central to their cultures.

From these dismal beginnings of colonialism, many wonderful fusions emerged, where African rhythm fused with European languages and cultures to create many styles of so-called Latin American music. With the advent of freedom and independence this music kept developing, and with modern technologies, like the radio and recordings, spread back around the world creating dance crazes, pop music movements, even Herb Alpert and the Tijuana brass.  Famous amongst these are the cha cha, the tango, the conga, salsa, samba, bossa nova, and merengue.

This band comprises: Ken Schroder (sax/clarinet), Aaron Entresz (guitar), Louise Denson (piano), Ben Brinkhoff (double bass), Liam O’Leary (drum kit), Pablo Cadenas (percussion).

To me, Latin music is like a mountain, or even a mountain range, like the Himalayas, and I must walk around it, looking for footholds for a jazz mountaineer to attempt to climb some of the peaks. Jazz Latin is a fusion; often those who wrote famous Latin tunes had no idea that jazz saxophonists would attempt to play their songs.  What the jazz player looks for is a great tune, and Brazilian tunes possess that quality in spades; powerful rhythms, music which already bears the stamp of fusion with jazz, like Bossa Nova with Joao Gilberto, Astrid Gilberto and Stan Getz, or Dizzy Gillespie with Cuban conga genius, Chano Pozo. Drummers like Art Blakey, Roy Haynes, Art Taylor all had African roots to their drumming, even if it was swing or bebop or even cool jazz.

We Got Rhythm draws on all these influences, and we even indulge in a little swing, and, above all, we’d like to share our enthusiasm for this music with you, the audience.”
Ken Schroder

Please note that the Courtyard Lift IS OPERATING!

Doors & Bar open at 7pm

Music begins at 7.30pm
The Founders Room on Woobys Lane
Salamanca Arts Centre.

Tickets are only $28 ea +BF, or buy two tix for $52+BF, or buy four tix for only $91+BF.

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This concert at Salamanca Arts Centre is support by Arts Tasmania’s 2025 Arts Projects Fund.
Salamanca Arts Centre is grateful for this support via Arts Tasmania and the Minister for the Arts.

Season :
Wednesday 14 – Saturday 17 May 2025

Performances :
Wednesday 14 May 2025 @ 7:00pm
Thursday 15 May 2025 @ 7:00pm
Friday 16 May 2025 @ 8:00pm
Saturday 17 May 2025 @ 1:00pm : MATINEE
Saturday 17 May 2025 @ 7:00pm

Doors Open 30 minutes prior to performance

Duration : 90 minutes | NO Interval

Tickets :
Regular $35
Student $25
Matinee $15

A fast-paced, hilariously fang-tastic blender of Mel Brooks, Monty Python and obviously Bram Stoker’s legendary vampire tale! It’s silly! It’s sexy…! It’s Dracula, as you’ve never seen him before!

The cast of hilarious and larger than life characters are a new take on the classic vampire tale, you think you know the story of the infamous Count? Think again!