Event Type: Opening Event

Opening Event :
Friday 11 July 2025 @ 5:30pm – 7:30pm

Exhibition Dates :
Thursday 10 – Monday 21 July 2025
10:00am – 4:00pm daily

Elevation is an exhibition of works on paper by Grace Gladdish, exploring the alpine landscapes of Tasmania.

“Elevation includes my recent printmaking and works on paper, exploring Tasmania’s wild alpine landscapes.  I create complex linocuts and paint them with watercolour, creating hybrids that straddle the disciplines of both painting and printmaking. I love the push and pull between the strong, stark linocut and the subtleties of watercolour. I enjoy the way the oil-based ink and water-based paint both repel each other, and work together to form an image. It seems to be resonant with the landscape I am portraying and it’s a satisfying process that keeps me curious to explore its possibilities. 

Alpine landscapes have captured my attention since moving to live on the foothills of kunanyi/Mt Wellington. The wonder of an alpine environment so accessible to a capital city, like the one at the summit of kunanyi, is one of the things that makes Hobart a special place to live. I am fascinated by the harshness of the place – wild and untamed; an unsafe environment where we would struggle to survive and yet close in proximity to our built environment. I find symbolism within the landscape that speaks to my own life and experience. Visually too, it seems to endlessly fascinate me with its colour, texture and quality of light. Most make a pilgrimage to the top of the mountain for the view of the land stretched out below. It is breathtaking! But I also love the landscape of the summit itself; treeless and patch-worked by the boulders and plants that make their home in that extreme environment. 

I’ve recently begun cutting and tearing up my lino prints which has as subversive feeling that I’ve enjoyed. I’ve found these destructive forces to be invigorating and creative, and a new series of collages has emerged. Cutting along ‘found’ lines in the ripped elements and re-fitting pieces of separate prints to create entirely new imagined landscapes is a process akin to drawing. I love finding ways that the ripped pieces connect, as if the landscape itself is dictating the journey the lines travel. These connections have had me thinking about my own connections with both the landscape and the people around me. The resulting collages can be seen as autobiographical, mapping paths both literal and poetic, re-fitting parts of my life and making my own new connections.”
– Grace Gladdish

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“Grace’s linocut prints are meticulous and breathtakingly complex. They are reproductions of the environs of the mountain that Grace now lives upon, but the rich intricacy is also analogous of an intricate life. In her myriad leaves and trees, Grace sees the arc and shape of her own existence.

… She takes her beautiful intricate prints and tears them.

They are no longer images of the mountain; they are something else. The images on paper are not end points; they are sites and material for more experiments. She tears them, changes their alignment, moves them, and she sees something new. She cuts away edges, leaving forms, still recognizable as lichen-tattooed rock from an alpine scene, but changed. The torn edges are not hidden; they show that this is paper, worked on and shifted, made into forms like islands. Grace takes the mountain and her interpretation of it and makes an archipelago, makes islands out fragments on paper, and it’s as if she’s making her own new place to be, or a map of the place she finds herself in, made of the fragments and the moments and the shape of her life, literal and allegorical.

Grace makes maps, from the art she makes that she shapes and re-shapes and experiments with, making more art, making a space for herself. The works that emerge from this complex, deeply personal process are floating islands of calm wonder.”
– Andrew Harper, Arts Writer

Opening Event :
Thursday 5 June 2025, 6:00pm – 8:00pm

Exhibition Dates :
Friday 6 – Saturday 21 June 2025
10:00am – 6:00pm daily

Join us for Bob Brown Foundation’s Art for Takayna 2025 exhibition. A curated exploration of Takayna, combining artistic expression with environmental advocacy.

Featuring fine art and performance works inspired by the region’s diverse landscapes and ecosystems, this exhibition showcases artists’ work depicting the significant landscape of Tasmania’s Takayna.

This year, one hundred artists travelled from every state in Australia to Tasmania’s Takayna for the 11th annual Art for Takayna residency hosted by Bob Brown Foundation.

The residency hosts each year’s artists to sit and gather inspiration for 5 days in this incredible landscape under threat from logging, mining and recreational vehicle use. 

From the windswept dunes on the west coast, to the rugged mountains and Gondwana rainforest valleys, artists were led by Bob Brown Foundation’s campaigners and scientists on a deep immersion like no other. 

In a unique and breathtaking installation, for the first time in Australian arts history, a grand piano was placed in a threatened forest for pianist Dave McEvoy to compose music to help save Takayna.

Pianist Dave McEvoy travelled from South Australia to compose and record music every day on the grand piano in an untouched rainforest on Forestry Tasmania’s logging schedule.

“My experience making music in this ancient place has given me an overwhelming sense that the forest is holding out a lifeline to us as a species. Takayna is home to one of the world’s last great temperate rainforests—a globally significant ecosystem—and I think we need to do everything we can to preserve it for the well-being and survival of future generations” – Dave McEvoy

Also joining the residency was one of Australia’s most famous political cartoonists, Jon Kudelka, who spent four days immersed in the rainforests threatened by mining company MMG’s proposed tailings waste dump.

“Takayna is a miracle of nature which the original owners managed to avoid clearfelling or poisoning with mine tailings for tens of thousands of years. Having been diagnosed with terminal brain cancer, I feel a certain affinity with it, though I could hardly be described as a miracle of nature.

A few days in the rainforest making art was a tonic for me and I understand why people are willing to devote their lives to protecting it. Unlike my particular strain of cancer, which would require a medical miracle to cure, Takayna can be protected with a World Heritage listing and becoming a National Park, an entirely achievable result requiring basic good faith and a small amount of imagination.

If I manage to beat the odds and survive another twelve months, and Takayna hasn’t been vandalised beyond recognition for toilet paper and a tip, I would love to visit again. If you’re not convinced, go and take a look” – Jon Kudelka.

“The global heirloom of Takayna must have parliamentary leaders declare it a World Heritage-listed National Park. Our artists’ residency has recruited another cohort of ambassadors who will broadcast the urgent call for its protection through their art” – Jenny Weber, Bob Brown Foundation Campaigns Manager

Opening Event :
Thursday 5 June 2025, 6:00pm – 8:00pm

Exhibition Dates :
Thursday 5 June – Sunday 15 June 2025
10:00am – 4:00pm daily

Come celebrate the talents of queer artists in Lutrawita / Tasmania

Hear Us. See Us. Know our Names. is an art exhibition dedicated to celebrating and showcasing the diverse talents and unique perspectives of gay, lesbian, gender diverse, and trans artists based in Tasmania. This exhibition seeks to highlight the cultural, social, and personal narratives that influence and shape the work of these artists, providing a platform for visibility, dialogue, and appreciation within the wider community.

Exhibition Dates :
Friday 4 – Saturday 26 July 2025
Monday – Friday 9:00am – 5:00pm
Weekends CLOSED

Opening Event :
Friday 4 July 2025, 5:30pm – 7:30pm

The Meehan Range, Pontville and Surry Hills, Sydney, each gave rise to a visual puzzle.  How to depict the blue-teal spring growth of the Risdonii slopes against dull Stringybark? What would the resurrection look like at Pontville? How the dark cavern of street trees contrasts with the scorching Sydney  sun?

“Inspired by my landscape painting practice, recent classes with Jake Walker, and visiting my daughters, Three places explores the relationship between place and person. How our perception and depiction of place is redefined by its connection with people we know.

The works have their origin in three very different locations. The Meehan Range as a backdrop to Flagstaff Gully and Mornington, the historic township of Pontville, and the inner city, Sydney suburb of Surry Hills.

The Meehan range is partly suburban (my eldest daughter lives close by), partly tamed countryside. Mountain bikers cross it. Yet it is home to eucalyptus risdonii which seems to require a stony, dry, north westerly aspect. Only this allows it to survive and gives rise occasionally to a brilliant blue flush of growth amid the dull greens of other gum trees.

Pontville – Brighton is a mixture of historic graveyards churches, and emerald green sporting areas. Scenes enjoyed by our second daughter.

Surry Hills with its nineteenth century dock workers terrace houses is a place in transition. The street trees are a constant but add a dimension of change when providing deep shade or filtered light over the Victorian facades. Our youngest daughter’s home is here. 

I have used a less descriptive, partly abstract method to try to communicate the transformations these places show and their meaning for those who observe them.

“Transformation” and “meaning”, has taken me towards an attempted portrayal of the magic or spirit of the places, while speculating on the relationships between place, the people there and the observer. St Matthews Cemetery Pontville is the frame for the ultimate transformation, the resurrection!”
– Kevin Crowe

Exhibition Dates :
Thursday 29 May – Sunday 29 June 2025
Monday – Friday 9:00am – 5:00pm
Saturday & Sunday 10:00am – 4:00pm

Opening Event :
Friday 30 May 2025, 5:00pm – 7:00pm

The Tracings unique-state monoprints of Frances Malcomson and Julie Todd draw attention to Nipaluna/Hobart’s untended urban plant growth  and Lutruwita/Tasmania’s fragile coastlines.
What appears at face-value to be unchanging, may be at risk.
What is changing is often overlooked.
Multi-layered, monochromatic and nuanced imagery conveys nature’s  entangled tracings.

The Tracings exhibition is a localised response to a global emergency. Delicate, unique monoprints highlight the value and vulnerability of natural environments. The engaging works draw attention to untended urban plant growth within Nipaluna/Hobart and fragile coastlines throughout Lutruwita/Tasmania. What appears at face value to be acceptable and beautiful, may in fact be at risk. What is overlooked, may be valuable. 

Artists Frances Malcomson and Julie Todd have deep-felt connections to their surroundings. As fellow printmakers, they employ complementary monoprinting methodologies in their unique-state works. The monochromatic tonalities and abstracted elements complement and enhance their nuanced and subtle imagery. The tracings and layerings of the identified environments are embodied in imagery created through multiple steps of printing and over-printing each work.

Frances’s artworks depict weed species that flourish within overlooked nipaluna/Hobart urban sites: “Walking within local neighbourhoods, I observe the tension between human ordering of nature and disordered weed growth. Through printmaking directly with plants gathered from neglected sites, my work exposes the adaptive entanglement of damaged nature. In The Tracings exhibition I present red valerian, an escaped garden species now prevalent as weed growth throughout nipaluna/Hobart verges. My exhibition works reference small pockets impossibly scattering the cliff face of The Courtyard at Salamanca Arts Centre. ”

Julie’s artworks reflect waterways and coastlines of lutruwita/Tasmania: “Working as a printmaker, I explore my long-felt connection to the coastal waters and edges of my island home. Each unique print is an emotional response to the shifting, sometimes damaging, traces of time and tide. Through multi-layered printmaking processes, I build imagery that reflects our planet’s environmental intricacies and interconnectedness where one action leads to another, which leads to another…”

Opening Event :
Friday 4 April 2025, 5:30pm – 7:30pm

Exhibition Dates :
Friday 4 – Saturday 26 April 2025
Monday – Friday 9:00am – 5:00pm 
Saturday 10:00am – 3:00pm
Sundays open by appointment
Public Holidays CLOSED

Paintings, portrait and sculptural exhibition by emerging artist Rebekah Pybus

“Undercurrents explores the layered depths of time, memory, and emotion within place and the human psyche. This exhibit will feature portraiture, re-imagined iconic paintings, and clay sculpture. My portraits of women reveal the complexity of feminine power—her pain, intuition, and resilience—acting as mirrors to the viewer’s subconscious. Drawing from both historical and personal narratives, I reinterpret iconic paintings through my own lens, intertwining them with my lived experience. My lifelong fascination with mythical marine creatures serves as a metaphor for the fluid, unseen forces that shape us. The shoaling of ceramic hammerhead sharks is inspired by one of my sons’ love for them, while my other son’s passion for waves is reflected in the movement and energy of the work, weaving their wonder and curiosity into the exhibition. Through paintings, sculpture, and immersive installations, I invite viewers to navigate these undercurrents, where the seen and unseen converge, evoking a sense of connection and introspection.”
– Rebekah Pybus

Opening Event :
Friday 11 April 2025, 6:00pm – 8:00pm

Exhibition Dates :
Thursday 10 – Monday 14 April 2025
9:00am – 4:00pm daily

When two women of a certain age get together in an old Huon Valley apple packing shed anything is possible.

Rather than baking tarts and pies, Heather Crisp and Kerri Jacobson’s creative juices have combined to produce delicious and sumptuous works of art. Working alongside each other has allowed them to explore and create works, both abstract and figurative, featuring glorious colour and fascinating compositions.

Opening Event :
16 April 2025, 6:00pm

Exhibition Dates :

Thursday 17 – Monday 28 April 2025

10:00am – 6:00pm Sunday – Thursday
10:00am – 8:00pm Friday & Saturday

This is a public exhibition of original photographic works produced by members of the Hobart Photographic Society

This is an annual exhibition with a collection of works by our members covering a wide range of genres including but not limited to landscape, portraiture, wildlife, macro, urban and creative images.

It is expected that there will be 60 large format images on display plus a video display of a further 200 images. It will be open to the public and is anticipated to attract local, interstate and overseas visitor as it has in past years. HPS members include winners of numerous national and international photographic awards.

We believe that as with any art form unless it is shared with the public audience, colleagues, and friends it is not fully appreciated and is often lost forever. The exhibition offers an opportunity for our diverse and talented members to showcase their best or most meaningful work with others in our community.

The exhibition also provides us with an opportunity to describe the workings of the society and encourage new membership.

Past exhibitions have been reviewed by local media and been described as being of the highest order of presentation and diversity.

This exhibition offers visitors from interstate and overseas an opportunity to view our images and share something of the experiences and lives of the people living in our community.

As the majority of images on display are sourced from Tasmanian based suppliers they demonstrate the expertise and professionalism available in this state

Opening Event:
Thursday 17 April 2025, 6:00pm – 8:00pm

Exhibition Dates:
Monday 14 – Monday 28 April, 2025
Monday – Friday 10:00am – 5:00pm
Saturday & Sunday 10:00am – 4:00pm

A representation across a collection of mediums of Artosaurus‘ core value: Make Art, Be Happy.

The Printer, the Painter, the Potter, and Maker is a collaborative assemblage of artworks created by Artosaurus resident artists, mentors, teachers, and Art Club members.

Opening Event :
Friday 9 May 2025, 5:00pm – 7:00pm

Exhibition Dates :
Friday 2 – Sunday 18 May 2025
Monday – Friday 9:30am – 4:00pm
Saturdays 10:00am – 3:00pm
Sundays 11:00am – 3:00pm

HoCo Now : a showcase of Year 11 and 12 students from Hobart College’s 2024 cohort working in a variety of media.

Every year art students from across the state work hundreds of hours to produce art as part of their coursework, largely unseen except by peers and teachers.

HoCo Now is an annual survey of work from Hobart College, celebrating the depth and breadth of contemporary student practice. Featuring works across a diverse range of media—including painting, sculpture, digital art, photography, and installation—the exhibition highlights personal reflections, social themes, and technical skill of the next generation of artists.