Event Type: Free

Daily opening times:
29 November – 12 December, 2023 (Sidespace Gallery)
10am – 4pm

14 December, 2023 – 28 January, 2024 (Studio Gallery)
10am – 4pm

Pivotal.  Definition;  big moments and little moments of clarity that provide us with new perspectives and opportunities for change.

PIVOTAL, big moments and little moments of clarity that provide us with new perspectives and opportunities for change.

Works in watercolour, gouache and graphite featuring the everyday, a feather, a bird’s nest, to the rare and uncommon, the tiny Tasmanian Red Handfish.

We take much for granted and in doing so, we devalue it.  This response is not necessarily intentional, but life is busy, and there is an assumption, an acceptance what we view about us will always be there.

We live in pivotal times.  Do we need to reconnect; do we need to find ‘enchantment’ in the simple and uncomplicated to rediscover balance?  I think so.  

As Author Katherine May writes in her latest publication ‘Enchantment: Awakening Wonder in an Anxious Age’ – ‘Our sense of enchantment is not triggered only by grand things; the sublime is not hiding in distant landscapes. The awe-inspiring, the numinous, is all around us, all the time. It is transformed by our deliberate attention. It becomes valuable when we value it’.

Presented by Mosaic Support Services

November 18 – 26, 2023

OPENING HOURS

10:00 AM – 4:00 PM

MICROGRAVITY is an exhibition for 2D, 3D, multimedia and installation works that orbits organically within a group of artists whose ideas and expression are unburdened by restriction of standard rules & expectations.

Microgravity is the condition in which people & objects appear to be weightless.

Art is a realm where the usual rules don’t have to apply.

What does it look like to have a ‘microgravity’ creative expression ?

Perspective can’t be pinned down.

Ideas, characters, and objects float in space.

Creations appear weightless.

Designs & texts are both random and repetitious.

Colour has free reign.

MICROGRAVITY is an exhibition for 2D, 3D, multimedia and installation works that orbits organically within a group of artists whose ideas and expression are unburdened by restriction of standard rules & expectations.

MICROGRAVITY has been developed during Create sessions at Mosaic Support Services, and represents a curated body of work created through 2022-23.

Presented by TUSA Painting Society

November 30 – December 12 2023

OPENING NIGHT

Dec 1, 2023 – 6pm

Live music recital by Ms. Eo Greensticks

OPENING HOURS

10:00 AM – 4:00 PM

Variations to Daily Opening Times :

Thursday and Friday open until 7.00pm

An annual exhibition of contemporary art created by present students and graduates of the University of Tasmania.

An annual exhibition of contemporary art created by present students and graduates of the University of Tasmania is hosted by the TUSA Painting Society. Although drawn mainly from the School of Creative Arts and Media the exhibition is designed to showcase the artistic talents of the entire UTAS community and features works from across the disciplines in a wide range of various mediums.

Daily opening times:
25 January – 12 February, 2024
10am – 4pm

Tasmanian Totems is a timely reminder that life is a beautiful but ultimately fragile endeavor and memento mori. Kitsch but never vulgar, this collection will focus your mind on one universal truth: that all shall pass eventually, with beauty as the epicentre. In a philosophically way: death doesn’t exist.

Greta Diaz Ortiz has a Masters Degree in Fine Arts from the Polytechnical University of Valencia (2011), traveling extensively since to satisfy her intense interest in the natural world and the cultural fabric it supports.

Paying her peripatetic way for over a decade as a tattoo artist she landed in Tasmania in 2020 and immediately responded to the immense natural beauty of her new home. After participating in a number of art collaborations in Hobart she decided to create her first solo exhibition in Tasmania with a focus on her passions: art and nature.

Being disconnected from nature damages the human soul. Bringing pieces of nature to your intimate place evokes bucolic feelings while stimulating renewed connections. These pieces demand veneration for the natural world by emphasizing the dichotomy of perfect imperfection: perfection does not exist in nature, no matter how much we strive for it.

Totems historically are pieces of nature which connect individuals with their raison d’etre. Humans appreciate the spiritual significance, bringing totems to their ancestor’s memories. We believe and behave as though the earth belongs to us when in reality the equation is the other way around.

Tasmanian Totems as a collection seeks to stimulate your subconscious and reconnect you with your senses and spirituality.

The artist mixes media to create pieces which are unique and yet related. Visitors are invited on an organic journey through hidden memories to our tribal instincts via works forged from the elemental to stimulate the senses. Reflections of life and death await, with beauty existing in both phases. Beauty is the connection in this idiosyncrasy, the world is always full of beauty and even if we cannot appreciate it is stills there, the never ending love of Nature.

Manifesting her influences through repurposed discharged animal bones, sponges, feathers, wood, sand and diverse recycled material from across Tasmania affords these natural remnants a second life; beauty renewed.

Creating pieces which allow pure nature airs and graces befitting their existence, some of Greta’s important influences include: animism, shamanism, mysticism and the occult. Greta’s passion for nature springs from an exaltation of the elements: water meets earth meets air meets metal.

Flamboyant representations of the natural world in settings spannin the realm of fortune from majestic to morbid. To conjure reflections on the essence of life.

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Presented by Stephen Mallick

Featuring works by Nolan Art K-12 Students, this annual exhibition features ceramics, sculpture, fashion illustration, oil and acrylic painting, and drawing.

Opening Event
Saturday 11 November 2023
1:00pm – 3:00pm

Featuring works by Nolan Art‘s Adult Students, this annual exhibition features oil and acrylic painting, watercolour and drawing.

Presented by OnTrack Tasmania

8 – 14 November 2023


OPENING HOURS

9:00 AM – 4:00 PM

Variations to Daily Opening Times :

13th November 2023 | Time: 9:00 AM – 1:00 PM

An exhibition that looks to the future, featuring works that imagine new possibilities for technology, society, and the environment.

OnTrack Tasmania is thrilled to present our latest art exhibition, “Re-imagining the Future.” This captivating event offers a unique journey into the creative minds of our talented participants, who have dared to dream and envision a world that lies ahead of us. As we delve into this immersive theme, we are introduced to a kaleidoscope of artistic interpretations that ignite the imagination and challenge conventional perspectives.

“Re-imagining the Future” is more than just an art exhibition; it’s a vibrant exploration of human ingenuity and the ever-evolving tapestry of our world. In a society marked by its rapid changes and uncertainties, this theme becomes a mirror reflecting both our deepest fears and our wildest aspirations. It’s a reminder that the future is not set in stone; it is a canvas we can co-create, influenced by our actions, innovations, and choices.

One of the intriguing aspects of “Re-imagining the Future” is the opportunity to delve into the relationship between technology and our collective destiny. The artists have delved into the possibilities that lie in the not-so-distant future, where artificial intelligence, robotics, and biotechnology are at the forefront. Some works explore the harmony between humanity and technology, portraying a utopian fusion of human and machine. Others, however, dare to look at the darker side of innovation, presenting scenarios where machines rule and humanity grapples with the consequences of its own creations.

Our vision of the future would be incomplete without contemplating the state of our environment. “Re-imagining the Future” invites us to think about our planet’s destiny and humanity’s role in preserving it. The artists have woven their concerns, hopes, and dreams into pieces that depict a world where we have chosen to coexist with nature, where sustainable practices reign supreme, and where environmental conservation is paramount. It’s a call to action to safeguard the planet for generations yet to come.

Societal shifts and progress are fundamental components of our future. The artworks presented in this exhibition explore how our communities, cultures, and values may evolve. From new approaches to education and healthcare to challenges related to migration and diversity, the artists capture the essence of a society in metamorphosis. “Re-imagining the Future” showcases a spectrum of possibilities, inviting us to ponder on the potential paths we may tread.

Within the labyrinth of “Re-imagining the Future,” we also delve into the complex realm of political structures and ideologies. What if governments embraced new forms of governance? What if ideologies shifted, creating novel paradigms for society? These questions find their answers in the art on display, portraying diverse political visions, from the harmonious to the tumultuous, from utopia to dystopia.

Amidst the diverse interpretations and visions of the future, one common thread unites these artworks – the indomitable human spirit. “Re-imagining the Future” is not merely a projection of our anxieties or utopian fantasies; it is a testament to our resilience, adaptability, and boundless capacity to dream. The art reminds us that the human spirit thrives, even in the face of adversity.

Art has always been a powerful catalyst for societal transformation, and “Re-imagining the Future” is no exception. It challenges us to think critically about the choices we make today and their impact on tomorrow. This exhibition offers an opportunity for self-reflection, dialogue, and engagement. It inspires us to consider our own role in shaping the future, whether as individuals, communities, or as a global society.

We cordially invite you to join us on this artistic odyssey, to witness the myriad interpretations of “Re-imagining the Future.” The exhibition is not just about contemplating what’s to come; it’s about actively engaging with the possibilities and contributing to the dialogue on our collective destiny.

“Re-imagining the Future” challenges you to explore, reflect, and, perhaps, to envision your own future. As you meander through the captivating works created by the participants of OnTrack Tasmania, let your imagination soar, and consider the role you wish to play in crafting a future that transcends boundaries and limitations.

In the evocative world of “Re-imagining the Future,” art becomes a portal to infinite potential. Embrace the experience, and together, let us embark on a journey that defies convention and celebrates the creative spirit of change.

The exhibition awaits you, ready to inspire, provoke, and reshape the way you envision tomorrow.

Presented by Henrietta Manning

An installation of paintings and text exploring the meaning, connections and value that can be placed on an object. Shoes.  From ancient superstition, fantasy and Cinderella, shoe fetishism and fashion, shoes mean many things to many people. Shoes hold memories, reflecting back moments in time of our footprints on earth.

References to shoes and feet permeate our language. To ‘’start off on the right foot’’ has come to mean to make a good start at something, but go back further and you will discover it was considered unlucky to put on your left shoe first. The phenomenon of shoes hidden in fireplaces, walls, under floors and in roof spaces is documented, if not fully explained. A practice thought to ward off evil or possibly to ensure fertility and happiness. The oldest shoe was found in Winchester Cathedral dating to 1308 and many are in private homes. These superstitions were brought to Australia by immigrants and the artist has worked from shoes loaned to her and even found under her properties historic apple packing shed.

A shoe can be practical, or an expression of stature, an extension of personality and individuality. A well-worn shoe carries the imprint of its owner. From your first to your last shoe, they can connect you to memories of places, times and people. The shoes of the deceased can be highly emotive and difficult to part with. ‘Cynthia I’ was painted in memory of the artists mother in the expectation she would then be able to let go of her mother’s shoes, she still has them!

It is both fascinating and horrifying the obsession and money spent on shoes, from Imelda Marcos’s personal collection, brand trainers, to collectors of the shoes of the famous or the excess of the 2018 Passion Diamond Shoes (USD 17 million made from diamonds and gold). Paintings from life of those hidden dark dusty mysterious shoes found secreted in and under buildings will contrast with the bright and shiny footwear abandoned in opportunity shops with which some have tortured their feet. When considering the ramifications of our footprint/lifestyle on the planet it would be pertinent to consider the waste generated by the fashion industry.

What do shoes mean to you?