Friday 16 September 2022 8.00pm Doors 8pm The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
20 years after their last performance, Van Ramsey and the Dogs of Rest have remerged and are taking their new show on the road – HOMECOMING. With a hot-selling National tour kicking off in their hometown of Hobart, Van and the Dogs are inviting YOU to a SECRET RENDEZVOUS. A sneak-preview, a last-chance-to-see for those who missed tickets to their SOLD OUT Tasmanian shows.
This performance is for those 18+. There are potential strobing effects from projected video Tickets are free but you must RSVP below to nab your tickets!
Tasmanian born and bred, the enigmatic Van Ramsey and his loyal band – The Dogs of Rest – are one of the biggest acts you’ve never heard of. More popular in Osaka and Berlin than in Sydney or Melbourne, Van Ramsey and the Dogs of Rest are pure synth-rock bombast with a twist of the sublime. Be prepared for a twin bass-attack, full frontal assault with a flailing of flesh like you’ve never seen before.
Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health. Masks will be available upon entering the venue for those patrons who would like one.
If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
Thursday, 29th September 2022 7.00pm – 9.00pm Doors 6.45pm The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
Get to The Founders Room for another round of homegrown edge-of-your-seat, rib-tickley makesy-upsy from PROTEA Impro and Salamanca Arts Centre.
Featuring the improvised talents of: Milla Chaffer, Rosemary Cann, Rowan Harris, Matt Wilson, Jane Stoddart, Simone Dobber and Jeff Michel!
Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health. Masks will be available upon entering the venue for those patrons who would like one.
If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
Wednesday 21 September 2022 8.00pm Doors 8pm The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
Hobart’s Newest New Material Night. New and experienced comics trying out new gear. When it comes to new jokes a live audience is the only real test there is. The place where new jokes come to live or die. Hosted by local legend Chloe Black come and see a mix of brand new faces and established pros find out whether their new gags have any blood in them.
Come and take the First Bite!
Sally Rose McShane Jane New Amanda Bergmann Steve McNees Kevin Glidden Jack O’Sullivan Hamish Levis & More! Hosted by Chloe Black
23 September 2022 7:00pm – 12 midnight The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
Highly anticipated launch of the debut album for Lastovke, an ensemble exploring mutual perspectives of folk music and song from Tasmania and Slovenia. Supported by Myers & McNamara.
LASTOVKE Lastovke was formed from a chance encounter of two Slovenian migrants (one old and one new) in a Bellerive carpark, with families and dogs in tow. After the initial shock of finding another person with common Slovenian heritage in Hobart they soon realized they both also had professional interests in the performance of folk and classical music respectively. Together with mandolin virtuoso Luke Plumb, recently returned from an acclaimed career with Scottish band Shooglenifty, and in collaboration with Dyan Shaw Summers of Flinders Island they have undertaken a project that explores their migrant perspectives of folk music from both home and new country. Lastovke presents a program that compares and contrasts folk songs from both Slovenia and Tasmania performed bilingually.
Photo; supplied by the artist
Meyers & McNamara Violinist Rachel Meyers and accordionist Dave McNamara boldly combine Klezmer and other Jewish music with experimental instrumentals and original compositions.
The Kucera Brothers are excited to be back in The Founders Room with the full band, to take you on an Americana folk journey of beauty and heartbreak. Alongside them is longtime friend and local troubadour, Jed Appleton with his band.
Saturday 10 September 2022 7:00pm – 12 midnight The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard The Kucera Brothers The Kucera Brothers are an Americana/Folk/Rock band whose members have toured extensively through the USA and Australia. Sam and Colin have written and recorded music together for most of their lives, and alongside Alex McArthur for over a decade. In 2022, Christoph Farrell and Seth Henderson joined the family band making them somewhat of a Tassie super group. They played their debut show as the current line-up at MONA and they host a folk night at Pablo’s Cocktails & Dreams on the last Sunday of each month. The Kucera Brothers have several plans and projects already well underway for the coming year. Jed Appleton Jed left school at the ripe age of 16 to begin touring across the world, releasing 9 albums from a collection of 200+ songs and has shared the stage with the likes of Passenger, Matt Corby, The Cat Empire, Julien Baker & Stu Larsen. Tasmania’s Voice of the Year (2017) fascinates crowds with his unique blend of dynamic rhythmic stylings on his acoustic guitar alongside smooth but powerful textures from his raw vocals accompanied by a strong lyrical sense far beyond his years.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
7 October 2022 7.00pm – 12 midnight Doors 7pm The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard — KNIFE HANDS Formed in 2015, Knife Hands exploded onto the scene with a bright blend of progressive, pop soaked melodies and razor sharp guitar work. A sound that was carved into their opening short-form release (The Doomsday Book, 2016) and spilled across the nations club stages in a riotous sing along inducing energy unique to them. With the release of their debut LP Milestones late in 2021 Knife Hands are hitting the road again armed with their brand new record for a string of dates throughout October 2022.
Supports from Coward Punch, Offset Vision & Blight St.
3 September 2022 8.00pm – 12 midnight Doors 8pm The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
Indie? Alt Rock? Metal? Doom? Prog? Funk?! Witness these elemental forces of nature that defy singular genre pigeonholing but are sure to deliver an evening of high energy, high volume intensity! Performances by Northern Subs, Guru Mook & The Eclectic.
Northern Subs are a 5 piece genre-defying wall of noise. Featuring ex members of Botox, Lyrebirds, Scoparia and Solar Thorn, they construct sonic palettes as diverse as their precedent membership. Calling on elemental fantasy themes evoked by the essence of the Tasmanian Forest, Northern Subs weave epic spoken word narratives chronicling an entity known only as “The Warlock” between sprawling soundscapes including elements of Doom, Metal, Alternative Rock and Progressive music.
Guru Mook, some fresh faces on the scene, these guys are hungry for shows and willing to take no prisoners. Their unique take on what some would consider rock n roll, is something definitely not to be missed.
The Eclectic, FKA Rocketry, are the prog/multi genre’d band that you didn’t know you needed in your life. Come and see why.
Salamanca Art Centre are excited to present Jazz at the Founders Room with Jamie Pregnell Trio supported by Mia Palencia. The hard-hitting group will be performing an array of music from the quintessential trio repertoire as well as showcasing brand new material written for up coming album. Support act Mia Palencia will be singing jazz classics and her own contemporary jazz material to open the night! A great night of jazz vocals and jazz guitar, not to be missed!
27 August 2022 7.30pm – 12 midnight Doors 7pm The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
Jamie Pregnell Jamie is a Guitarist, Composer based in Hobart, Tasmania and has been performing extensively within the Tasmanian jazz and improvised music scene for over the past 10yrs. Jamie has attended the Banff jazz workshop in Canada, awarded Arts Australia Grant to study under Aus Jazz great James Muller and recently released his latest album in 2020 “Sleepy Town”, recorded in Melbourne with Australian jazz greats Julien Wilson, Sam Anning, and Ben Vanderwal. Jamie and his trio perform regularly in Hobart at many of the local venues and festivals.
Mia Palencia Mia launched her luminous career in the Malaysian music scene at the age of 14 as the other half of well-loved Sabahan jazz duo Double Take. 19 years, 6 albums, and numerous concerts and tours later, Mia continues to live her dream of making music the centrepiece of her life’s work. Mia’s current work focues on her passion for songwriting and working with aspiring songwriters. She continues to manifest this passion through her PhD research in Songwriting at the Conservatorium of Music, University of Tasmania. She is also set to release her 7th album in 2017 with her Australian jazz quartet, In Good Company.
Performing for the first time at The Founders room, Slaughterhäus Surf Cult are bringing two of their best mates – Cathy Diver and Emi Doi for an evening of rock n roll-pop-folk mayhem.
26 August 2022 7.30pm – 12 midnight Doors 7pm The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
Slaughterhäus Surf Cult A Three piece garage outfit from Hobart that have been working since 2018 to develop an identifiably Tasmanian sound. Their third and most recent EP, ‘Since Tyson Called Me A Bitch’, is an accurate representation of the band’s live sound and energy, with each song offering an introspective look into Australia’s southernmost state. Taking influence from the likes of Eddy Current Suppression Ring and Constant Mongrel, ‘Slaughterhäus’ have been lucky enough to play with local, national and international artists and have also been on the bills at a festival called PANAMA, MONA FOMA, the Basin Concert, Falls Music and Arts Festival and Party in the Paddock.
Photo: Claire Warren
Cathy Diver Singer-songwriter Cathy Diver writes intimate alt-country and folk songs cast tender vignettes, shifting and sunburnt. Based between lutruwita/Tasmania and Ngunnawal Country, she has toured significantly and supported the likes of Julia Jacklin, Didirri, Tim Rogers and Carla Geneve, as well as co-forming indie label, Undine Records, in 2020.
Photo: supplied by the artist
エミエミ (emi emi) エミエミ (emi emi)is the experimental J-pop project from 24-year-old Emi Doi. Born and raised in lutruwita to her Launcestonian mum and Japanese dad, エミエミ represents a new musical venture for Emi, combining her existing indie-music flavour with uptempo kawaii-pop, drawing on inspiration from the likes of Kero Kero Bonito, CHAI, Kyary Pyamu Pyamu and Superorganism. 楽しんでください (≧▽≦)
Photo: video still from Lachy Hamill
This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre
For the entire second week of Winter Light, we’ll be screening music videos made by Tasmanians in The Courtyard at Salamanca Arts Centre on the giant Optus screen! The music scene in Tasmania is going through a creative surge that is increasingly being recognised and appreciated by audiences here and beyond.
At the end of the festival, we will have a special screening of 12 shortlisted music videos that will be competing for two prizes:
Best Tasmanian Music Video
This award is sponsored by Wide Angle Tasmania and Salamanca Arts Centre. With the winner receiving $500 of free equipment hire from Wide Angle Tasmania and free use of a Salamanca Arts Centre venue for filming. This award will be judged by Industry experts.
The People’s Choice Award
The winner will receive $500 cash from MyState Bank. This award will be voted by you, the makers, the players, and the audience.
Award Presentation Night 19 August 2022 Founders Room, Salamanca Arts Centre 7-9pm Free event
Winners
Congratulations EWAH who took out the ‘Best Tasmanian Music Video’ for their work ‘Walk the Night (Dark Room Version)’ shot by Ursula Woods . You can view the film clip here: https://www.youtube.com/watch?v=7jbgHoApk9w
A big congratulations to all of the entrants to the Winter Light Music Video Showcase. Salamanca Arts Centre is a proud supporter of Tasmanian Music and creatives.
We’d like to thank our sponsors of these Awards, MyState, WideAngle and Optus in conjunction with Salamanca Arts Centre.
Shortlisted Videos
Absinthe – Tai Harlii – filmmaker Dameza Walsh Arcadia – EWAH & The Vision of Paradise – filmmaker Joseph Shrimpton Ausberg – Sissysocks – filmmakers Ursula Woods and Jacob Collings Calculated Lies – Bailey Jaxxon, filmmaker Will Joseph Fireworx – Bailey Jaxxon – filmmaker Callum Ball Front Row – Morgan’s Sandpit – filmmaker Scott Lleonart Man with a Silhouette – The Sign, filmmaker Paul Volta Out of Love – Robotikus – filmmaker Cal Young Parachute – Morgan’s Sandpit, filmmaker Scott Lleonart Strongest Mob – DENNI (feat Craig Everett) filmmaker Lachy Hamill Vanishing Point – EWAH & The Vision Of Paradise – filmmaker Joseph Shrimpton Walk the Night (Dark Room Version) – EWAH and Charles Donnelly, filmmaker Ursula Woods
The Entries
Walk the Night (Dark Room Version)| EWAH & The Vision of Paradise | Ursula Woods
EWAH (vocals) and Charles Donnelly (piano) first arranged a collection of songs for piano and voice from critically acclaimed album Everything Fades to Blue (independent release, 2017) for a series of curated shows in 2019. Walk the Night was one of them. In a bid to not let these exquisite versions entirely disappear into the ether, they recorded Walk the Night (Dark Room Version) at the Donnelly family home in the middle of winter in Tasmania, 2021.
The song is based on a true story about a mother who goes to a party, but never makes it back home to her children. The song imagines her walking the streets, caught between life and death, making the journey through the night to be reunited with them.
The album Everything Fades to Blue is a eulogy to women victims of violent crime; telling stories imagined from the female point of view, rather than focusing on violence from the point of view of the perpetrator, a position popular culture takes all too often.
The video for Walk the Night (Dark Room Version) was filmed live as EWAH and Donnelly performed, set in a grand room veiled in white sheets and lace. A ghostly liminal space for a ghost story.
EWAH/Emma Waters
Best known for her work with noir post punk band, EWAH & The Vision of Paradise, EWAH is a published writer, award winning musician and sometime actor. Her music is often cited as cinematic. Influenced heavily by film, it was only a matter of time before she ventured into filmmaking after collaborations in music video making.
Ursula Woods Ursula Woods is a filmmaker with a visual art and music background. Her 16mm video artwork has been exhibited, and a number of film and video works screened, at various film festivals throughout Australia and Europe.
Based in southern Tasmania, Ursula has experience working on various productions such as short narrative drama, music video, TVC, installation and documentary.
Hole in the Sky | EWAH & The Vision of Paradise | Ursula Woods
Hole in the Sky is the lead single from EWAH & The Vision of Paradise’ second album The Warning Birds. This song serves as the centrepiece of the album, a cinematically tense exploration of the band’s home state of lutruwita/Tasmania; the perils of its geographical isolation and perceived idyllic reputation. Tasmania is often seen as a pristine wilderness; however, it has a pocked history of environmental crisis and degradation. Think Franklin River, Lake Pedder, mining, deforestation and salmon farming. It is a place of brutal beauty, harsh weather and moments of political and community divide.
The video for Hole in the Sky sees the enigmatic band playing live, as Ursula zooms in and chases after their performance, both capturing it within and escaping the frame.
Director Ursula Woods and artist EWAH have collaborated previously on small scale music videos. This time the video brings together a team of local videographers and lighting talents to film at Moonah Arts Centre, located on muwinina country in the outskirts of nipaluna/Hobart suburbia. Drawing inspiration from 60s French pop and girl band videos like that of The Ronettes, the band’s strong live performance and dark post punk sound is echoed by the deep inky blacks and stark noir lighting.
EWAH/Emma Waters
Best known for her work with noir post punk band, EWAH & The Vision of Paradise, EWAH is a published writer, award winning musician and sometime actor. Her music is often cited as cinematic. Influenced heavily by film, it was only a matter of time before she ventured into filmmaking after collaborations in music video making.
Ursula Woods
Ursula Woods is a filmmaker with a visual art and music background. Her 16mm video artwork has been exhibited, and a number of film and video works screened, at various film festivals throughout Australia and Europe.
Based in southern Tasmania, Ursula has experience working on various productions such as short narrative drama, music video, TVC, installation and documentary.
Arcadia| EWAH & The Vision of Paradise | Joseph Shrimpton + Tess Campbell
Arcadia is inspired by the idea of the ancient garden, an idyll, a place of innocence and abundance. This vision is skewed with the concept of fire being introduced to earth dwellers by the god Prometheus in ancient Greek mythology. The introduction of fire to civilisation may be seen as the beginning of harnessing energy, creating tools, weapons and industrialisation. Fire, in its natural state when running wild can be destructive and global warming sees these patterns of fire threat and its ferocity increasing.
Thinking also of the story of Pandora’s jar, the song reflects on this repetitious theme in history of curiosity, of playing with fire, playing with nature and unleashing uncontrollable energies into the world.
EWAH on the video, We riffed on the idea of The Man Who Fell to Earth (by Nicolas Roeg, who also directed another favourite reference point, Walkabout). With this in mind we both referenced and reimagined the idea of an alien in the landscape with a mission to complete.
EWAH/Emma Waters
Best known for her work with noir post punk band, EWAH & The Vision of Paradise, EWAH is a published writer, award winning musician and sometime actor. Her music is often cited as cinematic. Influenced heavily by film, it was only a matter of time before she ventured into filmmaking after collaborations in music video making.
Tess Campbell
An award winning artist, and active proponent of her local arts scene, Campbell has exhibited at festivals, ARIs and notable galleries in Hobart and Melbourne, Australia.
Joseph Shrimpton
A tech creative and uber film boffin, Shrimpton’s main game is videography, but he’s also a dab hand at kinetics and electronics, creating installations for indoor and outdoor exhibitions.
Vanishing Point| EWAH & The Vision of Paradise | Joseph Shrimpton + Tess Campbell
The video for Vanishing Point was filmed in the wilds of turbunna/Ben Lomond, a craggy and imposing mountain in lutrawita/Tasmania.
This music video is an extract from a larger project, a movie Finding Paradise: a film set to the music of EWAH & The Vision of Paradise.
In the movie EWAH plays a lone explorer traversing a new world with the hope of finding a safe haven to start new life. Playing with the idea of early colonists, EWAH is equipped with a handful of cumbersome devices and tools in a perhaps foolhardy attempt to understand the strange world she is trying to survive in.
EWAH on the video, We riffed on the idea of The Man Who Fell to Earth (by Nicolas Roeg, who also directed another favourite reference point, Walkabout). With this in mind we both referenced and reimagined the idea of an alien in the landscape with a mission to complete.
Artist Bio:
EWAH/Emma Waters
Best known for her work with noir post punk band, EWAH & The Vision of Paradise, EWAH is a published writer, award winning musician and sometime actor. Her music is often cited as cinematic. Influenced heavily by film, it was only a matter of time before she ventured into filmmaking after collaborations in music video making.
Tess Campbell
An award winning artist, and active proponent of her local arts scene, Campbell has exhibited at festivals, ARIs and notable galleries in Hobart and Melbourne, Australia.
Joseph Shrimpton
A tech creative and uber film boffin, Shrimpton’s main game is videography, but he’s also a dab hand at kinetics and electronics, creating installations for indoor and outdoor exhibitions.
Deep Blue | All India Radio | Helena Papageorgiou
The video for All India Radio’s song Deep Blue is created by award winning Queensland animator Helena Papageorgiou, created in the spirit of animation greats Hayao Miyazaki (Spirited Away, Howl’s Moving Castle) and René Laloux (La Planète sauvage, Gandahar).
The song features Tasmanian singer Sasquin.
All India Radio
Hobart based cosmic sonic architects All India Radio have created shimmering aural edifices that cross genres and defy easy definition across a staggering 30+ releases since the late 1990s. A fusion of psychedelia, prog rock, ambience, and pure dreamy pop creates something greater than the sum of its parts: a monument to the creativity and vision of songwriter Martin Kennedy in the control room of the band since its inception.
Helena Papageorgiou, creates in the spirit of animation greats Hayao Miyazaki (Spirited Away, Howl’s Moving Castle) and René Laloux (La Planète sauvage, Gandahar). Her projects include working with clients such Snap, Google, Apple, Nike, Qantas, EyeJack, Gallery of NSW, Warner Music, Sunshine Coast Council as well as live visuals created for festival events such as Splendour in the Grass, Laneway, Groovin’ the Moo, Commonwealth Games Festival 2018, Geelong After Dark and BIGSOUND.
California Dreaming | The Sign |Bobby + Media
All the leaves are brown and the sky is grey. Our interpretation of a Mamas and Papas song we thought it should sound like. Thanks to POT Productions for camera and editing work.
Bobby + Media
Bobby + Media focuses on the journey involved with the creation of media. Each task is more than the final product, it’s the experience.
Man With A Silhouette| The Sign
Man With A Silhouette takes you on a journey of mystery and intrigue. This film was animated using Reallusion iClone animation software and edited using Davinci Resolve. Characters were created using Reallusion Character Creator.
The Sign
If when you hear the term ‘acoustic duo’ you imagine two people sitting on stools, lightly strumming guitars singing folk songs, think again. With a combination of 6 string and 12 string acoustic and electric guitars, The Sign are dynamic, uplifting, and fun, while their music is a harmonic combination of artfully written songs and powerful musical phrasing.
Robot Romance | The Sign
Do robots love? These robots are certainly having a great time chatting and dancing and seem to be loving it. Animated with iClone animation software and edited in Davinci Resolve. Actual footage of band was filmed in front of green screen and put back into iClone along with female character created with Character Creator.
The Sign
If when you hear the term ‘acoustic duo’ you imagine two people sitting on stools, lightly strumming guitars singing folk songs, think again. With a combination of 6 string and 12 string acoustic and electric guitars, The Sign are dynamic, uplifting, and fun, while their music is a harmonic combination of artfully written songs and powerful musical phrasing.
Lifegarden | The Sign
Lifegarden is a song written by JoAnne Volta and animated by Paul Volta using Reallusion iClone animation software. Characters created with Reallusion Character Creator and edited with Davinci Resolve.
The Sign
If when you hear the term ‘acoustic duo’ you imagine two people sitting on stools, lightly strumming guitars singing folk songs, think again. With a combination of 6 string and 12 string acoustic and electric guitars, The Sign are dynamic, uplifting, and fun, while their music is a harmonic combination of artfully written songs and powerful musical phrasing.
I Remember | The Sign
I remember a time when the air and water were clean. Filmed in front of a green screen and edited in Davinci Resolve.
The Sign
If when you hear the term ‘acoustic duo’ you imagine two people sitting on stools, lightly strumming guitars singing folk songs, think again. With a combination of 6 string and 12 string acoustic and electric guitars, The Sign are dynamic, uplifting, and fun, while their music is a harmonic combination of artfully written songs and powerful musical phrasing.
Cages| The Sign
Please don’t keep children in cages. This film is about the problems of keeping children in cages who were separated from their families only looking for a better place to live. Filmed live in front of a green screen and edited in Davinci Resolve.
The Sign
If when you hear the term ‘acoustic duo’ you imagine two people sitting on stools, lightly strumming guitars singing folk songs, think again. With a combination of 6 string and 12 string acoustic and electric guitars, The Sign are dynamic, uplifting, and fun, while their music is a harmonic combination of artfully written songs and powerful musical phrasing.
Ain’t Necessarily So| The Sign
Cover of a Gershwin brothers song. Animated by Paul using Cartoon Animator 4 and edited in Davinci Resolve. The tings that you libel to read in the bible Ain’t Necessarily So.
The Sign
If when you hear the term ‘acoustic duo’ you imagine two people sitting on stools, lightly strumming guitars singing folk songs, think again. With a combination of 6 string and 12 string acoustic and electric guitars, The Sign are dynamic, uplifting, and fun, while their music is a harmonic combination of artfully written songs and powerful musical phrasing.
War Pigs | The Sign
Our cover of a Black Sabbath song. Played in front of a green screen and edited in Davinci Resolve. War Pig video is a sign of the times.
The Sign
If when you hear the term ‘acoustic duo’ you imagine two people sitting on stools, lightly strumming guitars singing folk songs, think again. With a combination of 6 string and 12 string acoustic and electric guitars, The Sign are dynamic, uplifting, and fun, while their music is a harmonic combination of artfully written songs and powerful musical phrasing.
Pills and Wine | The DK Effect | David Johnstone+ Lizzie Johnstone
Pills and Wine is a song about making bad decisions for the wrong reasons and finding yourself in a dark and seemingly inescapable place. It’s also about realising you’ve become the very person you’ve been running from. While wanting the video to echo the feel and meaning of the track we also wanted it to be a stand-alone video art / contemporary screen dance piece. With no budget we set about light-proofing a shed, hanging black material from the rafters and using two homemade lights on mic stands. The dancer / choreographer (Lizzie Johnstone – a recent graduate of contemporary dance from VCA) listened to the track just once before performing to the brief “feel the music, but stay on the chair”. So the video is a one-take recording of her improvised and powerfully hypnotic performance.
David Johnstone is the writer, arranger, producer and engineer of the 10-song album Moving Time by The DK Effect which spent two months in the top 10 of the Australian Blues and Roots Airplay Chart in May / June 2021. He also wrote and played bass on the 10 songs for the album Blind released by Mama K and the Big Love (2017) and has songs published through Sony Music and Acuff-Rose Opryland Music (UK). David also conceived, filmed and edited the music videos Pills and Wine by The DK Effect, Moth to the Flame by Mama K and the Big Love and conceived and edited / added animation and graphics to Moving Time by The DK Effect.
Lizzie Johnstone is an emerging Australian dance artist and maker, currently based in lutruwita/Tasmania. Her practice mainly focuses on screen based works and performance.
Lizzie began her dance training at four years old and has trained in classical ballet, tap, jazz, lyrical, hip hop and contemporary. She began her formal contemporary dance training at the Victorian College of the Arts (VCA) in 2018 and graduated in 2020 with a Bachelor of Fine Arts (Dance). It was there that Lizzie’s passion for movement and film was nurtured, which encouraged her to explore and experiment within these two artforms. This led to the creation of her two short screen dance works, Checkmate and Chaos, baby, which was curated by the Ian Potter Museum of Art, as part of their online exhibition Inside Out in 2020.
Moving Time| The DK Effect | David Johnstone+ Lizzie Johnstone
Moving Time was the first single released from The DK Effect’s 2021 debut album of the same name. The music video was filmed on an iPhone and features a static, single-shot, improvised, first-take performance by three graduate contemporary dancers, Lizzie Johnstone (VCA), Bethany Reece (WAAPA) and Sarah Saxon (VCA). It was filmed near the Glenorchy Art & Sculpture Park, produced by Lizzie Johnstone and graphics / animation were added by David Johnstone.
David Johnstone is the writer, arranger, producer and engineer of the 10-song album Moving Time by The DK Effect which spent two months in the top 10 of the Australian Blues and Roots Airplay Chart in May / June 2021. He also wrote and played bass on the 10 songs for the album Blind released by Mama K and the Big Love (2017) and has songs published through Sony Music and Acuff-Rose Opryland Music (UK). David also conceived, filmed and edited the music videos Pills and Wine by The DK Effect, Moth to the Flame by Mama K and the Big Love and conceived and edited / added animation and graphics to Moving Time by The DK Effect.
Lizzie Johnstone is an emerging Australian dance artist and maker, currently based in lutruwita/Tasmania. Her practice mainly focuses on screen based works and performance.
Lizzie began her dance training at four years old and has trained in classical ballet, tap, jazz, lyrical, hip hop and contemporary. She began her formal contemporary dance training at the Victorian College of the Arts (VCA) in 2018 and graduated in 2020 with a Bachelor of Fine Arts (Dance). It was there that Lizzie’s passion for movement and film was nurtured, which encouraged her to explore and experiment within these two artforms. This led to the creation of her two short screen dance works, Checkmate and Chaos, baby, which was curated by the Ian Potter Museum of Art, as part of their online exhibition Inside Out in 2020.
Fallout – Premonition Part 1 | Kudu Joy | Sebine Bester, Jacob Collings + Takani Clark
Premonition is a tale of self-healing performed by Kudu Joy, directed by Takani Clark and shot by Jacob Collings. The subtle story unfolds as Kudu Joy delves into the world of tarot iconography and the telling of fate. The narrative is experienced through a feminine lens, traversing the mystique of true love, in the form of friendship, connection and self love.
Sabine Bester is a freelance musician based in Hobart. She works in a range of contemporary styles as well as having a diverse understanding and appreciation for music from the Balkan region, performing with and teaching voice, trumpet, piano and guitar, setting her place in the core of Tasmania’s music scene. She has completed a Bachelor of music at UTAS, with further training in Jazz vocals from Berklee University. Sabine has been working as an associate artist with BIGhART since 2019, delivering music workshops for young people in the North West of Tasmania, and being part of the creative team towards various music events. She has taken a leading role in the running of Bonzaki, and has come to understand the importance of bringing community together to create a meaningful experience like this event.
Jacob Collings Jacob Collings is a nipaluna based filmmaker and Director. His work has an honesty and identity that has developed over time. Upon leaving College, he quickly acquainted himself with local filmmakers and began freelancing, then making his way to London for a 6 month internship with production company The Narrative which took him on filmmaking expeditions to France, Germany and America. In 2019 he met a Props Standby by the name of Dean Sullivan and began working on The Gloaming as a props assistant. This connection has led Jacob to work on productions for the likes of National Geographic, ABC, Channel 7 and IMAX.
Takani Clark Takani Clark is a professional dabbler and multidisciplinary creative from lutruwita, exploring and engaging with mediums of filmmaking, visual art and performance.
As a First Nations woman, Takani draws inspiration from her Aboriginal and Pacifika communities. Feeling a deep responsibility to protect and document the island and its cultural identity and diversity, both environmentally and socially. As a storyteller she strives to use her creative voice to explore the natural world and our relationship with it, using documentational and fantastical lenses. Takani believes that diversity is an integral part of her creative practice, striving to collaborate with people from different artistic practices, any background and all walks of life.
Parachute| Morgan’s Sandpit
Parachute by Morgan’s Sandpit showcases several locations around Hobart Tasmania, with a melody designed to make listeners want to dance like there’s no one watching. This music video was the recipient of the ‘Best Original Song’ award at the 2021 Mystate Student Film Festival and is the first track on the bands debut album Tuesday Night Lies.
Scott Lleonart Scott Lleonart is a local Tasmanian Film maker who is in his 3rd Year at UTAS, undergoing a Bachelor of Media. Scott has been making films since 2017 and has produced three music videos for local band Morgan’s Sandpit for which he participates as the Lead Singer/Bassist. In 2021 Morgans Sandpit released their first album ‘Tuesday Night Lies’ where a featured track ‘Parachute’ won the 2021 Best Original Song category for the Mystate Film Festival.
Luke Pettit Luke Pettit is a local musician and media producer. He has been working as a chief editor and videographer for Hobart based company Beetleblack Media for four years and is the lead guitarist for band Morgan’s Sandpit. Luke is passionate about all things film, music and Sonic the Hedgehog so he was thrilled to work on the bands music video for their song Front Row as well as being the starring actor in their video for Parachute. Luke is hopeful for the future of Morgan’s Sandpit as they embark on recording their 2nd album later this year.
Front Row| Morgan’s Sandpit
A featured single from Morgan’s Sandpit’s debut album, Front Row is drenched with multi-layered guitar tracks, an infectious melody and a distain for parking tickets. The music video follows a masked individual (with a clear Sonic the Hedgehog fixation) out on the town, but they are soon to find that the streets of Hobart isn’t the safest place for a hedgehog to spend a night out. Morgan’s Sandpit would like to thank local venues Twisted Lime, Grand Poohbah and Replay Bar for allowing access to film, as well as Town-goers who were willing to participate 🙂
Scott Lleonart Scott Lleonart is a local Tasmanian Film maker who is in his 3rd Year at UTAS, undergoing a Bachelor of Media. Scott has been making films since 2017 and has produced three music videos for local band Morgan’s Sandpit for which he participates as the Lead Singer/Bassist. In 2021 Morgans Sandpit released their first album ‘Tuesday Night Lies’ where a featured track ‘Parachute’ won the 2021 Best Original Song category for the Mystate Film Festival.
Luke Pettit Luke Pettit is a local musician and media producer. He has been working as a chief editor and videographer for Hobart based company Beetleblack Media for four years and is the lead guitarist for band Morgan’s Sandpit. Luke is passionate about all things film, music and Sonic the Hedgehog so he was thrilled to work on the bands music video for their song Front Row as well as being the starring actor in their video for Parachute. Luke is hopeful for the future of Morgan’s Sandpit as they embark on recording their 2nd album later this year.
You and I | The DK Effect | Sarah Louise Badcock + Isabella von Lichtan
You and I was created for the Tasmanian band The DK Effect to accompany the release of their album Moving Time. It tells the story of a love that isn’t quite as it seems and focuses on the themes of blame, projected expectations, and lack of communication within a relationship. The film was shot on location at St David’s Park, Hobart, and uses this familiar backdrop to tell the story of a conflict between the two central characters.
Sarah Louise Badcock Sarah Louise Badcock is a Tasmanian multimedia artist with a background in creative writing, many types of visual art, and independent film making. She is interested in telling stories using archetypes and symbolism. She enjoys working with musicians to create blends of sound and image that explore both inner emotional experience and imaginary dream-like worlds. When she’s not making art, Sarah’s other interests include classical dance, beekeeping, and dressing up in costume for charity events.
Isabella von Lichtan Isabella von Lichtan is an artist who works in a range of mediums from photography and film to puppetry, painting, drawing, and mixed media. Art continues to be essential part of her life even though she works part-time as a geology curator and lecturer. She tries to spend much of her free time involved with creative projects. The most notable project has been building three 18ft scientifically accurate replicas of the Tasmanian cave spider as part of the Bookend Trust’s Sixteen Legs film and exhibition program. The touring exhibition that featured these spiders has been across Australia, including at Dark Mofo and the Australia Museum, and has also visited the USA.
Augsburg | Sissysocks | Ursula Woods + Jacob Collings + Tom Briglia
Music video for Melbourne electronic musician Sissysocks. This video for the song Augsburg, tells the story of Gill, a unique being in a messed up world. They don’t fit in. They are outcast. Their one connection is to the music which sparks a dance and beautiful moment of connection against the disconnect with the world they live in. Inspired by a real life scream into the phone hotline, this story is set in a future of despair.
Ursula Woods Ursula Woods is an artist and filmmaker with a visual art and music background. Based in southern Tasmania, Ursula has experience working on productions such as music video, narrative drama, documentary and installation. In 2021, Ursula directed and shot 6 recreation stories for Roar Film as part of their documentary on dementia. She also was the DoP for a pilot dramedy for Beyond International Productions. In 2022, Ursula was the camera attachment on Amazon Prime’s Deadloch production in Tasmania and as a result, worked on the ABC show, Bay of Fires. Ursula’s videos have been screened on RAGE, her short film at Cinema Nova, and an experimental work at ACMI Melbourne. Two of her experimental film artworks are currently showing in the Tasmanian Women’s Art Prize. Ursula writes, directs and shoots, working on productions in collaboration with others.
Jacob Collings Jacob Collings is a nipaluna based filmmaker and Director. His work has an honesty and identity that has developed over time. Upon leaving College, he quickly acquainted himself with local filmmakers and began freelancing, then making his way to London for a 6 month internship with production company The Narrative which took him on filmmaking expeditions to France, Germany and America. In 2019 he met a Props Standby by the name of Dean Sullivan and began working on The Gloaming as a props assistant. This connection has led Jacob to work on productions for the likes of National Geographic, ABC, Channel 7 and IMAX.
Tom Briglia Melbourne/Naarm-based electronic producer Sissysocks trawls vocal and instrumental textures to create easy-listening goth meditations; soundtracks for the best moments of a bad dream, or a world making the same mistakes over and over again.
Sissysocks recently released their third album, Slink Away, an exploration of fallibility via oblivion pop, produced and mixed by Architecture in Helsinki alumni James Cecil and mastered by David Walker. The album charts the artist’s evolution from harsh tones and vacuum drone towards lush textures, cinematic pop melodies, and apocalyptic atmospherics. Futuristic, doomy, but above all, human.
A Piano of Tasmania at Gordon | Mark Thomson + Kelvin Smith
It’s a short, poetic video of Kelvin performing a piece he composed called My Beautiful Home, on a rocky outcrop near Gordon in the channel area south of Hobart. The short film aims to capture some of the mood and feel of the place on a bracing winter’s day with ominous clouds looming in the background but gentle waves lapping against the surrounding rocky shoreline.
Mark Thomson Mark Thomson is a part-time videographer and photographer, who has been involved in production of numerous short films, including a short documentary called Sidelines currently available on SBS On Demand. He has been filming videos with Kelvin playing piano in different Tasmania locations since early 2020.
Kelvin Smith Kelvin Smith had the idea to bring music to people in covid lockdown in 2020 and started playing his piano in unusual locations, filming it and sharing on social media. It soon attracted widespread attention and following and his A Piano of Tasmania project has featured on ABC 7.30 Report and also NZ TV.
Calculated Lies | Bailey Jaxxon | Will Joseph
When you think you’re being cheated on, every conversation turns into an investigation. This is Calculated Lies.
Will Joseph Taroona High School Alumnus Will Joseph is a cinematographer who works under the moniker “ISHIKI” and is currently working as the tour videographer for Baker Boy and Allday.
Bailey Jaxxon Bailey Jaxxon is a singer/songwriter who is very lucky to have friends around like Mr. Ball. Fortunately for Bailey, Mr. Ball can work with very little information to somehow give artist’s exactly what they were after. Bailey prides himself on humming melodies, writing lyrics and little more.
Fireworxx | Bailey Jaxxon | Callum Ball
I thought it would be a bigger deal when you left, I pictured a marching band sending you off down the street or that there’d be fireworks to mark the end of a chapter so important to me. But they didn’t. It just fizzled.. and that was that.
Callum Ball Located in Lutana, Callum Ball is Hobart’s most in demand music producer and he has now become a one-stop shop for music and music video services.
Bailey Jaxxon Bailey Jaxxon is a singer/songwriter who is very lucky to have friends around like Mr. Ball. Fortunately for Bailey, Mr. Ball can work with very little information to somehow give artist’s exactly what they were after. Bailey prides himself on humming melodies, writing lyrics and little more.
Machine Driven| Fenella Edwards
A rap music video
Fenella Edwards is a Palawa rapper
Strongest Mob | DENNI | Lachy Hamill
Strongest Mob is a song and film clip that stands as a proud celebration of Tasmanian Aboriginal culture. It showcases a wide array of cultural practices and the lyrics reflect an unflinching and steadfast sense of identity in the fact of adversity and a lack of acknowledgement.
Lachy Hamill I’m a hip-hop producer, recordist, mix engineer and videographer based in Hobart, Tasmania. I have been a very active and passionate member of the Tasmania hip-hop scene for around 10 years and have recently started taking an even greater and more active role. I run a large music platform for Tasmanian hip-hop music alongside my colleague Andrew Greeley. We have released over 260 music videos on our YouTube channel and have amassed over 18,500 subscribers. Recently we have been focusing more on providing a platform to a multicultural and diverse array of artists, working on and releasing music in both palawa kani and Hindi.
Locked Down | Boil Up
Film clip for Boilup’s song Locked Down, written 2010
Boil Up Boil Up are a ten piece band based in Hobart. A melting pot of contemporary Australia, their roots stretch from the traditional owners of Tasmania, New Zealand and Fiji, to as far away as Ireland, England and Croatia; celebrating the coming together of different cultures into one family. Featuring rich harmonies blended together with traditional reggae, funk and R&B.
Sending You A Rainbow | The Pits | Peter Charles Macpherson
This is a video from The Pits’ lockdown LP 1.0, Sending You A Rainbow
Peter Charles Macpherson Peter Charles Macpherson videos local bands and plays in a band called The Pits.
Out of Love | Scott Targett + KOWL + Calypso
The idea for Out of Love stemmed from an old Instagram clip I made for another track of mine where my good friend Kyle played a character called Gary but he wore a green suit out at the pub which I keyed out. Basically he was a silhouette acting like a bit of a di*k. A few years go by and I’d been toying with videography and wanted to make a clip all on my own and Out of Love was the perfect opportunity to slap something together which was (in my mind) kinda dodgy but with a bit of charm.
The narrative came about after my partner and I broke up and I wanted to express something that was similar. Donning the green suits, it represents an ex couples struggles, one more than the other. Having the keyed out green suits was meant to let the audience know that their situation is unique to them but also something that we all go through with love lost. Also green screens are so much fun to play around with!
Scott Targett Scott has been professionally playing music most of his life. As a musical director, he has curated shows for festivals and worked alongside iconic Australian artists such as Shane Howard (Goanna), Mike Noga (The Drones) and Glenn Richards (Augie March). As a studio session musician, Scott has worked on a variety of records ranging in style from Afro-beat, Country, Lo-fi-Instrumental, Folk, Country and Soul. He is also a member of Tasmanian indie-rock band Lennon Wells and a touring member of Golden Guitar winning band the Wolfe Brothers.
KOWL KOWL aka Cal Young is an artist and producer from Hobart, whose music has been described as “Disco-Tinged House,” though he habitually self-describes it as “Beach House House.” Outside of Robotikus and Calypso, Cal has produced tracks for such notable Australian artists as Asta and Hugo Bladel, and in 2017 released his collaborative hit single ‘Just Words’ with Juno Award-winning Canadian, Guyanese, Indian artist Anjulie.
Calypso Melbourne-via-Tassie artist Calypso is a singer songwriter and producer. After finishing her study at Hobart’s Conservatorium of Music and delving into the eclectic world of folk music in Edinburgh, Calypso returned to Australia to pursue electronic music and now releases her own unique blend of subdued electronic/acoustic sounds where her voice is the captivating centrepiece. Together with KOWL, Calypso is also one half of electronic duo S L O W who have played major festivals including Falls Festival, Party in the Paddock, Dark Mofo, Bigsound and A Festival Called Panama.
Truth | The Blue Water Bandits | Steven Pecl
On the day the song and film clip Truth was released by The Blue Water Bandits, the writer and band member Ben Corrigan shared the following:
The last couple of years have been quite the journey, and I made a deal with myself: if I was to get through my illness and out the other side, I would get back into my music…I am lucky enough to also be working with some very talented friends of mine, who have helped this creation come together…This name came about after having to face my situation and redefine what I thought was important and what was not; I had to be brutally true with myself about what was going on and face it head on – to be true to myself and my family and friends and just be the real me without the bullshit. From this feeling then came the song…
The Blue Water Bandits (Ben Corrigan, Helen Crowther, Bede Crowley, and Jeremy Price) From the South of lutruwita (Tasmania), The Bluewater Bandits are a blend of ambience, alternative rock, and indie/soul. Growing up near the beaches surrounding The Southern Coast, our music is infused with the tales of The Island, sea & land.
Steven Pecl, Filmmaker With a day job as a nurse, in his spare time, Steven Pecl has dabbled over the years in writing, acting, stand-up comedy, filmmaking, and photography – a self-proclaimed jack of all trades, master of none.
Absinthe | Tai Harlii | Dameza Walsh
The Absinthe video clip was a DIY project filmed by Dameza Walsh and edited by Tai Harlii. The video centres around water and contains liquid imagery which were compiled by manipulating dyes with water, milk and movement and filmed on an iphone. A GoPro, lights and projectors were also used to create scenes under and above water and the visuals escalate to flow with the emotions and dynamics of the song. Absinthe has a definite lo-fi aesthetic but the clips were very slowly and meticulously gathered over nine months of sessions to create a visual that reflected the songs sentiment.
Tai Harlii Tasmania/Lutruwita based Tai Harlii was visualised into reality by singer and songwriter Jamie Taylor and the project has been performed solo and with a live band since late 2018 in both Tasmania and on the mainland. Tai Harlii songs lean towards futuristic R&B and progressive soul and with influences ranging anywhere from metal to jazz the project has been dubbed as sporting a “Jazz-Goth” vibe.
Faded Memories | Koh-Dee | Kevin Gintzburger
Faded Memories. A song created by Jarin White and I, with the video created by Kevin Gintzburger.
Cody Webberley Cody Webberley or better known by his stage name of ‘Koh-Dee’ is an electronic music producer / DJ from Sorell, Tasmania. Cody operates from his personal music production studio, where he releases a mixture of indie electronica songs – a sonic blend of lo-fi, hip hop and trap / bass music. Koh-Dee has released one full-length album, two EP albums, many many single releases, and one video game soundtrack.
