BEGIN:VCALENDAR METHOD:PUBLISH VERSION:2.0 CALSCALE:GREGORIAN PRODID:-//NONSGML Sandhills Development\, LLC//NONSGML Sugar Calendar Fe eds v3.8.2//EN X-WR-CALNAME:Wearable Experiences X-WR-CALDESC:Salamanca Arts Centre X-WR-TIMEZONE:Australia/Hobart BEGIN:VTIMEZONE TZID:Australia/Hobart BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20251004T160000 TZNAME:AEDT END:DAYLIGHT END:VTIMEZONE BEGIN:VTIMEZONE TZID:Australia/Hobart BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 DTSTART:20251004T160000 TZNAME:AEDT END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT SUMMARY:Wearable Experiences DESCRIPTION:Sharka Bosakova\n\n\n\nExhibition Dates : Thursday 6 - Sunda y 30 November 2025**viewable 24/7\n\n\n\nOpening Event : Friday 7 Novemb er 2025\, 5:00pm - 7:00pm\n\n\n\nExperience jewellery that transforms in your hands—where modular 3D-printed components invite you to carry le ss and create more\n\n\n\nSharka Bosakova : Carry Less\, Create More - A ny Way\, Shape or Form\n\n\n\nContemporary jewellery stands at a crossro ads between tradition and innovation\, between static beauty and dynamic function. Sharka Bosakova's 3D/OVA collection navigates this intersecti on with remarkable clarity\, proposing a fundamental shift in how we con ceive\, create\, and interact with wearable objects. Her work transcends conventional jewellery design by embracing transformation as both aesth etic principle and philosophical stance.\n\n\n\nBosakova's artistic prac tice centers on kinetic forms where objects possess multiple functions a nd appearances\, encouraging physical engagement and individual creative expression. This approach reflects her belief that creating objects ser ves as a form of communication—a way to connect with others and open d ialogues across disciplines and cultures. Her jewellery becomes a collab orative medium\, inviting wearers to participate actively in the creativ e process rather than simply displaying finished works.\n\n\n\nThe 3D/OV A collection emerges from a deep engagement with the Japanese aesthetic principle of Mottainai—a reverence for materials that embraces sustain ability and mourns waste. This philosophy permeates every aspect of Bosa kova's practice\, informing not only her jewellery design but extending to her broader work in sustainable fashion. Each piece reflects consciou s consideration of material lifecycle and modular principles\, where eve ry element serves multiple purposes and nothing remains superfluous.\n\n \n\nAt the heart of the collection lies an exploration of organic\, cell ular forms inspired by microscopic biological structures. Bosakova trans lates the intricate patterns of cellular growth and ovum shapes into wea rable sculptures that symbolize creation\, potential\, and the feminine. These biological inspirations speak to fundamental themes of transforma tion and renewal\, suggesting that jewellery\, like living organisms\, c an evolve and adapt rather than remaining static.\n\n\n\nThe revolutiona ry aspect of Bosakova's work lies in its modular design philosophy. Usin g biodegradable plant-based filaments and recycled metals\, she creates jewellery systems that transform through magnetic connections and interl ocking components. A single brooch separates into earrings\, necklaces e xtend or contract according to need\, and components combine across diff erent pieces to create entirely new configurations. This kinetic approac h embodies her core philosophy of "carry less\, create more\," where one versatile system replaces multiple static accessories.\n\n\n\nThe colle ction addresses pressing contemporary concerns about consumption and sus tainability. In an era of fast fashion and disposable culture\, Bosakova proposes jewellery that adapts rather than becomes obsolete. Her sustai nable approach encompasses the entire lifecycle of each piece—from mat erial selection through design philosophy to end-of-life considerations. The work offers minimalist luxury through maximalist adaptability\, whe re quality lies not in quantity but in thoughtful design that serves mul tiple functions over extended periods.\n\n\n\nThe interactive nature of the 3D/OVA collection fundamentally redefines the relationship between w earer and worn object. Each piece invites physical engagement\, transfor ming wearers into co-creators who reconfigure elements to suit their moo d\, outfit\, or occasion. This participatory approach challenges the tra ditional passivity of jewellery wearing\, instead creating dynamic relat ionships where touch and manipulation reveal new possibilities with each interaction. The jewellery becomes a toolkit for personal expression\, where individual creativity shapes the final aesthetic outcome.\n\n\n\nB osakova's work in design has garnered international recognition across d iverse platforms\, from DEBUT Melbourne to Mercedes Benz Fashion Festiva ls in both Brisbane and Prague and HEAD ON New York. Her achievements in clude being named as an Outstanding Graduate from Queensland University of Technology's Alumni Honour Roll in 2015\, and works from her recent p roject UnMasked have been selected as finalists in the Sunshine Coast Ar t Prize and the Brisbane Portrait Prize. \;\n\n\n\nThis year marks a significant milestone as her work has been selected for showcase at the Australia Pavilion VIP Event at Osaka Expo 2025\, bringing her innovati ve approach to a global stage. Her work has found resonance with interna tional audiences who appreciate the fusion of cutting-edge innovation wi th mindful interaction. Based in Brisbane\, Bosakova's practice position s contemporary jewellery within a global conversation about sustainable luxury and meaningful consumption\, demonstrating how local makers can a ddress universal concerns through thoughtful\, culturally-informed desig n that bridges Eastern and Western aesthetic philosophies.\n\n\n\nHer mo dular systems suggest a future where our accessories evolve with us\, re sponding to our changing needs while respecting the materials that make transformation possible.\n\n\n\n\n\n\n\nExhibition supported by Regional Arts Australia\n\n\n\n\n\nAccessibility\n\n\n\nAccessible Toilet (locat ed in the Courtyard)Registered Assistance Animals welcomeWheelchair Acce ssible\n\n\n\n\n\n\n\nSharka Bosakova. 3D OVA jewellery (2022). Model: J asmin.Photographer: Sharka Bosakova\n\n\n\n\n\nSharka Bosakova. 3D OVA j ewellery components (2022). Various sizes. Photographer: Sharka Bosakova URL;VALUE=URI:https://www.sac.org.au/events/wearable-experiences/ UID:urn:uuid:58cba0ec-0403-410b-b94c-94750da9dc15 STATUS:CONFIRMED ORGANIZER: DTSTAMP:20260421T123318Z DTSTART;VALUE=DATE:20251106 DTEND;VALUE=DATE:20251130 LOCATION:Salamanca Arts Centre Ground Floor END:VEVENT END:VCALENDAR