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X-WR-CALNAME:Tales from The Trees of Old
X-WR-CALDESC:Salamanca Arts Centre
X-WR-TIMEZONE:Australia/Hobart
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TZID:Australia/Hobart
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TZOFFSETFROM:+1000
TZOFFSETTO:+1100
DTSTART:20251004T160000
TZNAME:AEDT
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TZID:Australia/Hobart
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DTSTART:20251004T160000
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BEGIN:VEVENT
SUMMARY:Tales from The Trees of Old
DESCRIPTION:Presented by the Cindy Watkins + Fiona Francois + Joy Kachin
 a\n\n\n\nExhibition Dates : Thursday 5 - Sunday 15 February 20269:00am -
  5:00pm daily\n\n\n\nOpening Event : Friday 6 February 2025\, 6:00pm - 8
 :00pm\n\n\n\nAn exhibition by three artists exploring the mystique\, fra
 gility\, and endurance of Tasmaniaâ€™s ancient trees.There are places in
  Tasmania where time slows\, where the air hangs heavy with memory\, and
  where the trees seem to whisper the stories of the land. These forestsâ
 €”Gondwanan remnants\, old-growth sentinels\, and endangered giantsâ€”ho
 ld millennia within their rings. Tales from the Trees of Old brings toge
 ther three artists\, each working in a distinct medium\, to honour these
  extraordinary beings and to invite viewers into the quiet\, myth-laden 
 language of the forest.Though their practices differ\, the artists share
  a deep respect for the living elders of Tasmaniaâ€™s landscapes. Their 
 works do more than depict trees\; they interpret them\, listen to them\,
  and speak in their stead. Through charcoal\, textile\, and photography\
 , the exhibition becomes a collective act of witnessingâ€”an echo of the
  forest rendered in pigment\, fibre\, and light.Joy Kachinaâ€™s photogra
 phic works present the forest as both document and dreamscape. She captu
 res what often goes unseen: the sheen of rain on ancient bark\, the slow
  twist of branches shaped by centuries of wind\, and the hollowed interi
 ors of trees that feel like sacred chambers. Shot during long solitary t
 reks into remote terrain\, the images sit at the intersection of realism
  and reverie. Even the most literal compositions seem touched by myth\, 
 as though taken just after the forest revealed a long-guarded secret.The
  lens lingers on subtletiesâ€”the glow of moss\, the darkness beneath bu
 ttressed roots\, the marks left by fire and regrowth. Each print becomes
  a meditation on endurance and fragility\, honouring species that have s
 urvived ice ages\, colonisation\, and catastrophe\, yet now face modern 
 pressures of climate change and habitat loss.In dialogue with these imag
 es Fiona Francoisâ€™ charcoal drawingsâ€”hyper-realistic yet carrying an
  otherworldly energy. Charcoal\, a material born of fire\, becomes a fit
 ting medium for capturing trees that have known both creation and destru
 ction. The artist often shapes driftwood\, branches\, or trunks into fem
 inine forms\, merging the human and arboreal in a way that suggests kins
 hip rather than metaphor. These figures appear carved from shadow\, echo
 ing the lines of wind-sculpted wood and holding the quiet wisdom of some
 thing older than human time.Fiona works with ceremonial precision\, laye
 ring\, erasing\, and revealing until the form seems to rise of its own w
 ill from the paper. The result is both haunting and tender. These works 
 invite viewers to consider our emotional connections to trees and the an
 cient\, often overlooked relationship between human imagination and the 
 natural world.Completing the triad are the textile artworksâ€”small in s
 cale yet astonishing in detail. Using only a sewing machine and thread\,
  Cindy Watkins creates hyper-realistic treescapes that feel intimate and
  meticulously observed. Each piece is built through dense\, layered embr
 oidery\, with thousands of carefully guided stitches mimicking the textu
 res of bark\, foliage\, and the forest floor. The moss that clings to tr
 unks and stones appears uncannily lifelike\, achieved through subtle var
 iations in stitch direction\, speed\, and tension.She â€śpaintsâ€ť with 
 thread\, guiding the machine with a level of control that borders on cal
 ligraphic. The surfaces come alive with detail: tiny knots that resemble
  lichen\, smooth stitched passages that echo sunlit bark\, and tonal shi
 fts that capture the soft green hush of shaded moss. The works invite vi
 ewers to lean in\, discovering new elements with every glanceâ€”much lik
 e studying the base of a living tree.These embroidered pieces act almost
  like botanical specimens\, preserving fleeting textures through a slow\
 , deliberate process. Their delicacy stands in gentle contrast to the mo
 numental subjects they depict\, reminding us that the vastness of a fore
 st is built from countless small wonders. Through her threadwork\, Cindy
  honours the forest through patient observation and astonishing fidelity
 .As these three practices intertwine\, Tales from the Trees of Old becom
 es both sensory experience and environmental reflection. Each piece invi
 tes viewers to slow down and enter the rhythm of the treesâ€”a rhythm me
 asured not in hours or seasons but in centuries. Though rooted in conser
 vationist intent\, the works never slip into didacticism. Instead\, they
  cultivate space for reverence\, wonder\, and grief.This exhibition hono
 urs the trees not as scenery or resource but as living beings with agenc
 y\, history\, and vulnerability. It asks us to look closely\, feel deepl
 y\, and recognise the responsibility we share in protecting these irrepl
 aceable ecosystems. In the meeting of fibre\, charcoal\, and light\, a c
 ollective voice emerges: a call to listen to the stories the trees have 
 always been tellingâ€”and to ensure they are not silenced.\n\n\n\n\n\nAc
 cessibility\n\n\n\nAccessible Toilet (on Level 1 and in the Courtyard)Re
 gistered Assistance Animals welcomeWheelchair Accessible (via the Lift i
 n the Courtyard)
URL;VALUE=URI:https://www.sac.org.au/events/tales-from-the-trees-of-old/
UID:urn:uuid:a7d2b4dd-d5e8-4fff-9cb6-cd9cbe2ce64d
STATUS:CONFIRMED
ORGANIZER:
DTSTAMP:20260512T145459Z
DTSTART;VALUE=DATE:20260205
DTEND;VALUE=DATE:20260215
LOCATION:Salamanca Arts Centre
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